Henrietta Louisa Fermor (1698–1761), the Countess of Pomfret, was particularly interested in medieval architecture and commissioned the only Gothic Revival town house in mid eighteenth-century London. The house, 18 Arlington Street, otherwise styled Pomfret Castle, has recently been the subject of two articles in The Georgian Group Journal by Sarah Freeman (2012) and Will Hawkes (2013). While these studies present the known evidence regarding the architects involved at 18 Arlington Street, the Countess’s Gothic Revival furniture has received less attention. This article examines the Countess’s furniture and suggests that the majority predate the construction and furnishing of 18 Arlington Street. It concludes by questioning how the Countess...
This thesis takes an interdisciplinary approach to five residences that were commissioned and headed...
This thesis examines the work of a family of UK antiquarian artists and architects: the Buckler dyna...
This thesis explores the extent to which elite women of the eighteenth century commissioned architec...
Henrietta Louisa Fermor (1698–1761), the Countess of Pomfret, was particularly interested in medieva...
Electronic version excludes material for which permission has not been granted by the rights holderF...
At the end of the eighteenth century, Eaton Hall was a substantial nine-bay house, originally design...
This paper is based on the authors’ longstanding interest in Northumberland House and follows two pr...
LINDFIELD Peter N., Georgian Gothic : Medievalist Architecture, Furniture and Interiors, 1730–1840, ...
The material culture of the country house has long been both an object of fascination for visitors t...
Based on the authors' longstanding interest in Northumberland House, this essay develops out of a re...
This paper is based on the authors’ longstanding interest in Northumberland House and follows two pr...
This thesis analyses the architectural development of the nineteenth-century country house by consid...
The Gothic Revival is generally considered to have begun in eighteenth-century Britain with the cons...
The structure of this thesis relies on the physical locations of Mme. de Pompadour. Although the cha...
The English country house has captured people’s interest and imagination for centuries, and has been...
This thesis takes an interdisciplinary approach to five residences that were commissioned and headed...
This thesis examines the work of a family of UK antiquarian artists and architects: the Buckler dyna...
This thesis explores the extent to which elite women of the eighteenth century commissioned architec...
Henrietta Louisa Fermor (1698–1761), the Countess of Pomfret, was particularly interested in medieva...
Electronic version excludes material for which permission has not been granted by the rights holderF...
At the end of the eighteenth century, Eaton Hall was a substantial nine-bay house, originally design...
This paper is based on the authors’ longstanding interest in Northumberland House and follows two pr...
LINDFIELD Peter N., Georgian Gothic : Medievalist Architecture, Furniture and Interiors, 1730–1840, ...
The material culture of the country house has long been both an object of fascination for visitors t...
Based on the authors' longstanding interest in Northumberland House, this essay develops out of a re...
This paper is based on the authors’ longstanding interest in Northumberland House and follows two pr...
This thesis analyses the architectural development of the nineteenth-century country house by consid...
The Gothic Revival is generally considered to have begun in eighteenth-century Britain with the cons...
The structure of this thesis relies on the physical locations of Mme. de Pompadour. Although the cha...
The English country house has captured people’s interest and imagination for centuries, and has been...
This thesis takes an interdisciplinary approach to five residences that were commissioned and headed...
This thesis examines the work of a family of UK antiquarian artists and architects: the Buckler dyna...
This thesis explores the extent to which elite women of the eighteenth century commissioned architec...