In their major recent anthology, published in 2022, writer and poet Eileen Myles reclaimed pathos from the wretchedness of political rhetoric, all too often used in conjunction with media portrayals to marginalise vernacular, unruly, and incomprehensible opposition by those not aligning themselves with an acceptable image citizenhood in a place such as, say, London. Myles urged a resistance to despair, advocating for the right to a fullness of life on one's own terms, in refusal of this imposition, and the implication that simply being oneself in a certain location - often desired by developers - is problematic. As someone who has emerged into a cultural profile from the societal margins and their all-too-ignored traumatic registers...
This introduction proposes the potential of thinking with performance to address issues of global ho...
Zielke J. Dwelling activism: making the personal political in the English home through a feminist dw...
My Essay for the Living School, by Brandon LaBelle (2018) was prompted by a presentation at the Sout...
Written and produced entirely by women, Doorways is the latest title from House Sparrow Press – an ...
Artists talk about the intentions, methodologies and process of working, both as a working class art...
This is the author accepted manuscript. The final version is available from Taylor & Francis via the...
Performing Projections explores the two-year collaboration between Theatrum Mundi and Jayden Ali, Un...
A reflective essay on Limehouse Town Hall and the Living School, curated by Brandon LaBelle (2018), ...
Low-income municipal housing and its inhabitants have increasingly been construed as disposable with...
How are we to live? How do we sustain our emotional commitment to utopia? Answering these questions ...
Abstract Spaces, Places and States of Mind: a pragmatic ethnography of liminal critique. Eric Pa...
Alternate Languages: Confronting Boundaries invites a critique of our relationship with one another ...
Urbanites worldwide fight for their right to housing and the city in ways that encompass what Wester...
In 2014 Focus E15 resisted the evictions of young carers by drawing attention to the precarity of th...
This paper was inspired by the author’s experiences teaching a required class about feminism to affl...
This introduction proposes the potential of thinking with performance to address issues of global ho...
Zielke J. Dwelling activism: making the personal political in the English home through a feminist dw...
My Essay for the Living School, by Brandon LaBelle (2018) was prompted by a presentation at the Sout...
Written and produced entirely by women, Doorways is the latest title from House Sparrow Press – an ...
Artists talk about the intentions, methodologies and process of working, both as a working class art...
This is the author accepted manuscript. The final version is available from Taylor & Francis via the...
Performing Projections explores the two-year collaboration between Theatrum Mundi and Jayden Ali, Un...
A reflective essay on Limehouse Town Hall and the Living School, curated by Brandon LaBelle (2018), ...
Low-income municipal housing and its inhabitants have increasingly been construed as disposable with...
How are we to live? How do we sustain our emotional commitment to utopia? Answering these questions ...
Abstract Spaces, Places and States of Mind: a pragmatic ethnography of liminal critique. Eric Pa...
Alternate Languages: Confronting Boundaries invites a critique of our relationship with one another ...
Urbanites worldwide fight for their right to housing and the city in ways that encompass what Wester...
In 2014 Focus E15 resisted the evictions of young carers by drawing attention to the precarity of th...
This paper was inspired by the author’s experiences teaching a required class about feminism to affl...
This introduction proposes the potential of thinking with performance to address issues of global ho...
Zielke J. Dwelling activism: making the personal political in the English home through a feminist dw...
My Essay for the Living School, by Brandon LaBelle (2018) was prompted by a presentation at the Sout...