Abstract Surprise Machines is a project of experimental museology that sets out to visualize the entire image collection of the Harvard Art Museums, with a view to opening up unexpected vistas on more than 200,000 objects usually inaccessible to visitors. The project is part of the exhibition organized by metaLAB (at) Harvard entitled Curatorial A(i)gents and explores the limits of artificial intelligence to display a large set of images and create surprise among visitors. To achieve this feeling of surprise, a choreographic interface was designed to connect the audience’s movement with several unique views of the collection
The Natural History Museum, London (NHM) is home to an impressive collection of over 80 million spec...
The Experiments in Art and Technology (E.A.T.) organization was set up in 1966 by the artists Robert...
This paper builds on the premise that art has a significant role to play in engaging with and explor...
Abstract Surprise Machines is a project of experimental museology that sets out to visualize the ent...
Abstract Surprise Machines is a project of experimental museology that sets out to visualize the ent...
The presentation of these two projects the metaLAB (at) Harvard complements Jeffrey Schnapp's interv...
Crowd-sourcing and crowd-curating—when the public plays a role in determining content—has become an ...
Museum objects have fascinating stories but are often presented in a detached, objective way that te...
The research project Illuminated – Tracing Bosch and Bruegel as a community-influenced museum exhibi...
Experimental Museology scrutinizes innovative endeavours to transform museum interactions with the w...
Museums around the world possess hundreds of thousands of priceless objects, which have stories to t...
This is a semi-fictional story told through a series of fake found documents. It describes my work a...
Accidental encounters in the art gallery occupy a critical space that moves visitors beyond establis...
The application of computer vision on museum collection data is at an experimental stage with predic...
Though museums are digitising their archives, online consultations remain low. New forms of engageme...
The Natural History Museum, London (NHM) is home to an impressive collection of over 80 million spec...
The Experiments in Art and Technology (E.A.T.) organization was set up in 1966 by the artists Robert...
This paper builds on the premise that art has a significant role to play in engaging with and explor...
Abstract Surprise Machines is a project of experimental museology that sets out to visualize the ent...
Abstract Surprise Machines is a project of experimental museology that sets out to visualize the ent...
The presentation of these two projects the metaLAB (at) Harvard complements Jeffrey Schnapp's interv...
Crowd-sourcing and crowd-curating—when the public plays a role in determining content—has become an ...
Museum objects have fascinating stories but are often presented in a detached, objective way that te...
The research project Illuminated – Tracing Bosch and Bruegel as a community-influenced museum exhibi...
Experimental Museology scrutinizes innovative endeavours to transform museum interactions with the w...
Museums around the world possess hundreds of thousands of priceless objects, which have stories to t...
This is a semi-fictional story told through a series of fake found documents. It describes my work a...
Accidental encounters in the art gallery occupy a critical space that moves visitors beyond establis...
The application of computer vision on museum collection data is at an experimental stage with predic...
Though museums are digitising their archives, online consultations remain low. New forms of engageme...
The Natural History Museum, London (NHM) is home to an impressive collection of over 80 million spec...
The Experiments in Art and Technology (E.A.T.) organization was set up in 1966 by the artists Robert...
This paper builds on the premise that art has a significant role to play in engaging with and explor...