This study seeks to integrate informal and formal music learning in a university guitar class with a secondary focus on evaluating the effectiveness of this approach in meeting student's stated goals for learning the guitar. Salient features in formal music learning were discovered from an examination of guitar method books. Informal features were examined from a reading of extant research on popular music pedagogy and expounded upon through research devoted to specific areas of informal music learning and popular music pedagogy. These features were used in the creation of a guitar curriculum to aid in the integration of both formal and informal music learning in a university guitar class. Data were gathered through pre- and post-study ques...
Undergraduate jazz guitar students are subject to certain conditions that negatively affect their ed...
This research explored the impact of informal learning (IL) in primary music Initial Teacher Trainin...
This article offers a bird’s-eye view of the evolution of guitar learning and pedagogy in the XX and...
The purpose of this study was to describe qualitatively the learning processes and perceptions of mu...
This article examines learning acoustic guitar in formal schools employing cooperative learning desi...
This work reviews guitar methodologies and didactic materials from the first 16th century methods of...
Frank AbrahamsAs music educators search for ways to engage their students in musical practice that i...
Tertiary institutions face pressures to make better use of resources—to teach more effectively and e...
What amount of knowledge of guitar playing can be expected after completing upper compulsory school?...
This study investigated the pedagogical approaches and curricula of contemporary popular music (CPM)...
Thesis (D.M.A.)--Boston UniversityTo maintain and increase participation in a low-enrollment school ...
This study focused on the challenges that students face during the early state of learning to play t...
In a joint dissertation project, 11 brass instrument and guitar lessons, with 4 teachers and 21 stud...
Pre-service music teachers’ undergraduate preparation is often geared towards formal music making (i...
Music education in North America remains loyal to the ideals, materials, and methodologies of a bygo...
Undergraduate jazz guitar students are subject to certain conditions that negatively affect their ed...
This research explored the impact of informal learning (IL) in primary music Initial Teacher Trainin...
This article offers a bird’s-eye view of the evolution of guitar learning and pedagogy in the XX and...
The purpose of this study was to describe qualitatively the learning processes and perceptions of mu...
This article examines learning acoustic guitar in formal schools employing cooperative learning desi...
This work reviews guitar methodologies and didactic materials from the first 16th century methods of...
Frank AbrahamsAs music educators search for ways to engage their students in musical practice that i...
Tertiary institutions face pressures to make better use of resources—to teach more effectively and e...
What amount of knowledge of guitar playing can be expected after completing upper compulsory school?...
This study investigated the pedagogical approaches and curricula of contemporary popular music (CPM)...
Thesis (D.M.A.)--Boston UniversityTo maintain and increase participation in a low-enrollment school ...
This study focused on the challenges that students face during the early state of learning to play t...
In a joint dissertation project, 11 brass instrument and guitar lessons, with 4 teachers and 21 stud...
Pre-service music teachers’ undergraduate preparation is often geared towards formal music making (i...
Music education in North America remains loyal to the ideals, materials, and methodologies of a bygo...
Undergraduate jazz guitar students are subject to certain conditions that negatively affect their ed...
This research explored the impact of informal learning (IL) in primary music Initial Teacher Trainin...
This article offers a bird’s-eye view of the evolution of guitar learning and pedagogy in the XX and...