This article looks at different approaches to staging Street Theater about Human Rights in a multilingual environment. Theater on the streets intended to convince passers-by to stop and watch a short skit needs to attract with visual and theatrical techniques, but since Human Rights are conceptual, the actors need to get their message across using words audience members can mull over. How can a maximum number of passers-by be reached in an urban environment where there are three, even four, national languages? Research is ongoing
The cultural revolution of 1968 paved the way for many artists to reconsider how and where theatre w...
The cultural revolution of 1968 paved the way for many artists to reconsider how and where theatre ...
In this article, through the lens of critical theory and collective theatre creation, we will look a...
This paper explores how artists are continuing to develop new participatory theatre models that addr...
This article is a post-hoc reflective theorization of a public engagement event based on research in...
This article is based on the project: Empowerment of Citizens in aMulticultural Society. We wanted t...
The article discusses The Trojan Women Project presented at La MaMa Experimental Theatre Club in New...
As editors of this fourth special Essays section of the European Journal of Theatre and Performance,...
The subject of this thesis has great interest in the years that follow the changes in Iraq in (2003 ...
In my project, I plan to research how language can be an avenue for representation in theatre. I wil...
Language used on the stage always bears certain connotations to the identity, ideology and morality ...
With this article based on his fieldwork in Šuto Orizari, a Municipality in the suburbs of Skopje (M...
It may be that, in keeping with global political aspirations, the twenty-first century will become t...
University of Minnesota Ph.D. dissertation. May 2017. Major: Theatre Arts. Advisors: Michal Kobialka...
In this article, Ioana Szeman makes a case for combining micro- and macro-analyses of power relation...
The cultural revolution of 1968 paved the way for many artists to reconsider how and where theatre w...
The cultural revolution of 1968 paved the way for many artists to reconsider how and where theatre ...
In this article, through the lens of critical theory and collective theatre creation, we will look a...
This paper explores how artists are continuing to develop new participatory theatre models that addr...
This article is a post-hoc reflective theorization of a public engagement event based on research in...
This article is based on the project: Empowerment of Citizens in aMulticultural Society. We wanted t...
The article discusses The Trojan Women Project presented at La MaMa Experimental Theatre Club in New...
As editors of this fourth special Essays section of the European Journal of Theatre and Performance,...
The subject of this thesis has great interest in the years that follow the changes in Iraq in (2003 ...
In my project, I plan to research how language can be an avenue for representation in theatre. I wil...
Language used on the stage always bears certain connotations to the identity, ideology and morality ...
With this article based on his fieldwork in Šuto Orizari, a Municipality in the suburbs of Skopje (M...
It may be that, in keeping with global political aspirations, the twenty-first century will become t...
University of Minnesota Ph.D. dissertation. May 2017. Major: Theatre Arts. Advisors: Michal Kobialka...
In this article, Ioana Szeman makes a case for combining micro- and macro-analyses of power relation...
The cultural revolution of 1968 paved the way for many artists to reconsider how and where theatre w...
The cultural revolution of 1968 paved the way for many artists to reconsider how and where theatre ...
In this article, through the lens of critical theory and collective theatre creation, we will look a...