Add to ORKGThe authors consider the establishment of a new colorimetric standard due to the advent of HDTV, and discuss the parameters to be reconsidered. Constant luminance coding is described, and nonlinear preemphasis is explained
The evolution of display technologies makes high dynamic range/wide color gamut (HDR/WCG) media of g...
Vast majority of digital images and video material stored today can capture only a fraction of visu...
Most common image and video formats have been designed to work with existing output devices, like LC...
To justify the enormous investments necessary to establish a new HDTV system, the gain in quality ov...
Three methods of color processing for HDTV-conventional, linear, and CIELAB coding-have been investi...
A constant-luminance-coding (CIELAB) codec is presented for high-definition TV (HDTV) use that offer...
The conventional method of generation and processing color components causes image defects, which ca...
Several DPCM Coding schemes for the chrominance components were investigated with regard to their su...
Traditional Low Dynamic Range (LDR) color spaces encode a small fraction of the visible color gamut,...
When colourimetrically characterising a high dynamic range display (HDR) built from an LCD panel and...
Non-Constant Luminance (NCL) and Constant Luminance (CL) are the two common methods for converting R...
It has long been known that the human visual system (HVS) has a nonlinear response to luminance. Thi...
Vast majority of digital images and video material stored today can capture only a fraction of visua...
As new displays and cameras offer enhanced color capabilities, there is a need to extend the precis...
MasterComputer Graphics used in Digital Cinema, Video and Image Synthesis requires deep understandin...
The evolution of display technologies makes high dynamic range/wide color gamut (HDR/WCG) media of g...
Vast majority of digital images and video material stored today can capture only a fraction of visu...
Most common image and video formats have been designed to work with existing output devices, like LC...
To justify the enormous investments necessary to establish a new HDTV system, the gain in quality ov...
Three methods of color processing for HDTV-conventional, linear, and CIELAB coding-have been investi...
A constant-luminance-coding (CIELAB) codec is presented for high-definition TV (HDTV) use that offer...
The conventional method of generation and processing color components causes image defects, which ca...
Several DPCM Coding schemes for the chrominance components were investigated with regard to their su...
Traditional Low Dynamic Range (LDR) color spaces encode a small fraction of the visible color gamut,...
When colourimetrically characterising a high dynamic range display (HDR) built from an LCD panel and...
Non-Constant Luminance (NCL) and Constant Luminance (CL) are the two common methods for converting R...
It has long been known that the human visual system (HVS) has a nonlinear response to luminance. Thi...
Vast majority of digital images and video material stored today can capture only a fraction of visua...
As new displays and cameras offer enhanced color capabilities, there is a need to extend the precis...
MasterComputer Graphics used in Digital Cinema, Video and Image Synthesis requires deep understandin...
The evolution of display technologies makes high dynamic range/wide color gamut (HDR/WCG) media of g...
Vast majority of digital images and video material stored today can capture only a fraction of visu...
Most common image and video formats have been designed to work with existing output devices, like LC...