Add to ORKGHPLC was applied on freshly produced and weathered proteinous painting materials. Because of different content of 13 various amino acids in casein and egg yolk it was possible to differ between casein and egg yolk for freshly prepared paintings. Casein-based paintings contain about 25 weight-% glutaminacid, egg yolk-based paintings also contain about the double weight-% serin. The same analysis with weathered paintings was not successful. The proteins were also analysed by capillary electrophoresis. With this method it was not possible to differ between casein and egg yolk-based paintings
The characterization and identification of the proteinaceous compounds in a complex and multi-layere...
The identification of proteinaceous components in paintings remains a challenging task for several r...
A proteomics approach was used for the identification of protein binders in historical paints: the p...
A new approach was explored to purify proteins in a multi-step procedure for the characterisation of...
The tempera painting technique is one of the most common methods used throughout art history. Tempe...
Diagnostic techniques applied to the field of cultural heritage represent a very important aspect of...
Proteins in works of art are generally determined by the relative amounts of amino acids. This metho...
Diagnostic techniques applied to the field of cultural heritage represent a very important aspect of...
Proteinaceous organic materials used as ancient painting media were investigated by capillary gas ch...
Identification of proteins in paintings and polychrome objects is a challenge, which requires the de...
In this study the nature of the proteinaceous material used as the binder in ancient paintings and t...
Comprehension of the materials, such as binding media, used by artists is of uttermost importance in...
The amino acid "fingerprint" of proteinaceous binding media in mural paintings of the cupola of Flor...
In this work, we characterized paint reconstructions using ovalbumin and casein as binders, and cinn...
The paper presents a study of proteins found in artistic and archaeological objects based on analyti...
The characterization and identification of the proteinaceous compounds in a complex and multi-layere...
The identification of proteinaceous components in paintings remains a challenging task for several r...
A proteomics approach was used for the identification of protein binders in historical paints: the p...
A new approach was explored to purify proteins in a multi-step procedure for the characterisation of...
The tempera painting technique is one of the most common methods used throughout art history. Tempe...
Diagnostic techniques applied to the field of cultural heritage represent a very important aspect of...
Proteins in works of art are generally determined by the relative amounts of amino acids. This metho...
Diagnostic techniques applied to the field of cultural heritage represent a very important aspect of...
Proteinaceous organic materials used as ancient painting media were investigated by capillary gas ch...
Identification of proteins in paintings and polychrome objects is a challenge, which requires the de...
In this study the nature of the proteinaceous material used as the binder in ancient paintings and t...
Comprehension of the materials, such as binding media, used by artists is of uttermost importance in...
The amino acid "fingerprint" of proteinaceous binding media in mural paintings of the cupola of Flor...
In this work, we characterized paint reconstructions using ovalbumin and casein as binders, and cinn...
The paper presents a study of proteins found in artistic and archaeological objects based on analyti...
The characterization and identification of the proteinaceous compounds in a complex and multi-layere...
The identification of proteinaceous components in paintings remains a challenging task for several r...
A proteomics approach was used for the identification of protein binders in historical paints: the p...