Includes bibliographical references and index.Introduction -- Film language and aestetics. Renaissance of (digital) film -- Developing mise-en-scene -- Directing the actor -- Cinematography: painting with motion -- Sound underpinning image -- Editing: temporality & structure -- Film theory in practice. Reading the screen -- Spectatorship and audience -- Contemporary cinema -- Eisenstein and Bazin: formalism & realism, two modes of practice -- Genre -- Guerrilla filmmaking: practice as subversion. Experimentation and the short film format -- Working with non-professional actors -- The avant-garde, subtext, & symbolism -- Documentary as resistance -- Persistence of vision. screenwriting: from script to screen / John Brice -- Soundtracks: usin...
This dissertation examines the notion of digital cinema in relation to its analogue predecessor by r...
How do we study a film? What is meant by 'mise en scene' or 'genre' and how can we use these terms t...
What makes a good movie? How can one analyse a film accordingly without primarily interpreting it? D...
The Film Handbook examines the current state of filmmaking and how film language, technique and aest...
An effective filmmaker needs to have a good understanding of how film language works, and more impor...
This handbook is an essential creative, critical and practical guide for students and educators of s...
The paper deals with the basic elements of film art as well as the evolution of the film medium. The...
"The successful study of film combines criticism, theory and practice. This book covers all three ar...
This book gives a concise account of a complex movement for the new reader, with many specific examp...
"This work presents a comprehensive guide to literature-based films. It focuses on recognizing and a...
"This fluent and comprehensive field guide responds to increased interest, across the humanities, in...
The film produces an effect through the pictures, the light and color system, through the dialogs an...
This book looks at the movie industry and at the labour intensive but fascinating process of making ...
Technology and Culture: The Film Reader brings together key theoretical texts from more than a centu...
This book investigates the challenges that the presence of digital imaging within the cinematic fram...
This dissertation examines the notion of digital cinema in relation to its analogue predecessor by r...
How do we study a film? What is meant by 'mise en scene' or 'genre' and how can we use these terms t...
What makes a good movie? How can one analyse a film accordingly without primarily interpreting it? D...
The Film Handbook examines the current state of filmmaking and how film language, technique and aest...
An effective filmmaker needs to have a good understanding of how film language works, and more impor...
This handbook is an essential creative, critical and practical guide for students and educators of s...
The paper deals with the basic elements of film art as well as the evolution of the film medium. The...
"The successful study of film combines criticism, theory and practice. This book covers all three ar...
This book gives a concise account of a complex movement for the new reader, with many specific examp...
"This work presents a comprehensive guide to literature-based films. It focuses on recognizing and a...
"This fluent and comprehensive field guide responds to increased interest, across the humanities, in...
The film produces an effect through the pictures, the light and color system, through the dialogs an...
This book looks at the movie industry and at the labour intensive but fascinating process of making ...
Technology and Culture: The Film Reader brings together key theoretical texts from more than a centu...
This book investigates the challenges that the presence of digital imaging within the cinematic fram...
This dissertation examines the notion of digital cinema in relation to its analogue predecessor by r...
How do we study a film? What is meant by 'mise en scene' or 'genre' and how can we use these terms t...
What makes a good movie? How can one analyse a film accordingly without primarily interpreting it? D...