Taine is often taken to task for his reductionist deterrninism. In aesthetics his method belongs rather to pragmatic relativism. Unlike certain twentieth-century anthropologists, supporters of the doctrine of cultural relativisin, Taine does not think that cultural values are self-justifying. His « historical and undogmatic » aesthetics is based on a deep-rooted ethnocentrism which is echoed in his travel writings, where he analyses the cultures of Italy, England and Germany in the light of the artistic «perfection» of seventeenth-century France. This exemplary model sometimes leads him to conform to stereotypes and to make value judgements coloured by a questionable apriorism. He is particularly harsh on the Germons, to whom he attributes ...