A video coding approach that uses texture analysis at the encoder and synthesis at the decoder is presented. It is characterized by scaling of texture reconstruction accuracy at the decoder according to perceptual relevance to the viewer. A closed-loop concept is proposed for a fully automated approach that can be integrated into any video codec. Besides texture analysis and synthesis, the loop encompasses a video quality assessor (VQA) that is roughly three times as complex as PSNR and performs as well as significantly more complex standardized perceptual measures. The VQA operates local and global consistency evaluations, where the outcome is utilized to correct segmentation masks provided by the texture analyzer, such that synthesis resu...
Advanced video compression standards such as H.264/MPEG-4 AVC enable quite good preservation of sign...
Advances in communication and compression technologies have facilitated the transmission of high qua...
The underlying assumption of our approach is that the textures in a video scene can be labeled subje...
A new approach to video coding is presented, where video scenes are classified into textures with su...
A new approach to video coding is presented, where video scenes are classified into textures with su...
The underlying assumption of our approach is that the textures in a video scene can be labeled subje...
We assume that the textures in a video scene can be classified into two categories: textures with un...
A new content-based approach for improved H.264/MPEG4-AVC video coding is presented. The framework i...
We assume that the textures in a video scene can be classified into two categories: textures with un...
A new generic texture synthesis approach, which is inspired by the work of Kwatra et al., is present...
A generic, content-based video coding framework is described. The approach is based on H.264/MPEG4-A...
It is assumed that the textures in a video scene can be classified in two categories: textures with ...
Advanced video compression standards such as H.264/MPEG-4 AVC enable quite good preservation of sign...
Advanced video compression standards such as H.264/MPEG-4 AVC enable quite good preservation of sign...
Advanced video compression standards such as H.264/MPEG-4 AVC enable quite good preservation of sign...
Advanced video compression standards such as H.264/MPEG-4 AVC enable quite good preservation of sign...
Advances in communication and compression technologies have facilitated the transmission of high qua...
The underlying assumption of our approach is that the textures in a video scene can be labeled subje...
A new approach to video coding is presented, where video scenes are classified into textures with su...
A new approach to video coding is presented, where video scenes are classified into textures with su...
The underlying assumption of our approach is that the textures in a video scene can be labeled subje...
We assume that the textures in a video scene can be classified into two categories: textures with un...
A new content-based approach for improved H.264/MPEG4-AVC video coding is presented. The framework i...
We assume that the textures in a video scene can be classified into two categories: textures with un...
A new generic texture synthesis approach, which is inspired by the work of Kwatra et al., is present...
A generic, content-based video coding framework is described. The approach is based on H.264/MPEG4-A...
It is assumed that the textures in a video scene can be classified in two categories: textures with ...
Advanced video compression standards such as H.264/MPEG-4 AVC enable quite good preservation of sign...
Advanced video compression standards such as H.264/MPEG-4 AVC enable quite good preservation of sign...
Advanced video compression standards such as H.264/MPEG-4 AVC enable quite good preservation of sign...
Advanced video compression standards such as H.264/MPEG-4 AVC enable quite good preservation of sign...
Advances in communication and compression technologies have facilitated the transmission of high qua...
The underlying assumption of our approach is that the textures in a video scene can be labeled subje...