Ann Jensen Adams examines four Dutch portrait genres of the 17th century in relation to inherited visual traditions, contemporary art theory, changing cultural beliefs about the body, about sight, and the image itself, as well as to current events.Includes bibliographical references (pages 341-374) and index.Cultural power of portraits : the market, interpersonal experience and subjectivity -- Portraits of individuals : physiognomy, demeanor, and the representation of character -- Family portraits : the private sphere and the social order -- The history portrait : comprehending self through historical narrative -- Civic guard portraits : personal friendships and the public sphere -- Portraits and the production of identity : transitional ob...
This dissertation examines the roles that portraits of artists played in the social commerce of frie...
This thesis investigates the representation of children through a study of 165 portraits dating from...
This thesis examines the place of Dutch genre painting in the English theory of art between 1695, wh...
The seventeenth century saw a large increase in family-related portrait materials, including group f...
Portraits of Amalia van Solms, wife of Frederik Hendrik of Orange-Nassau and one of the most signifi...
Long dismissed as dull face painting, portraiture as a visual art gained new interest with the rise ...
This dissertation investigates the function of images in the production of supposed common knowledge...
Nowadays, an understanding and apprehension of ones identity becomes more and more urgent. The searc...
This dissertation argues that compositional shifts that appear in Dutch cityscape paintingsdepicting...
One of the issues which helps painters have a better understanding of history of art, is the history...
Throughout the years the purpose of the portrait, along with it’s story, has changed considerably. ...
In the seventeenth century, the proliferation of Dutch family portraits among the broad middle class...
Eighteenth-century English and American portraits are complex, culturally bound artifacts subject to...
During the second half of the sixteenth century, engraved series of allegorical subjects featuring p...
In the mid-seventeenth century, printers in the city of Amsterdam began to publish and disseminate p...
This dissertation examines the roles that portraits of artists played in the social commerce of frie...
This thesis investigates the representation of children through a study of 165 portraits dating from...
This thesis examines the place of Dutch genre painting in the English theory of art between 1695, wh...
The seventeenth century saw a large increase in family-related portrait materials, including group f...
Portraits of Amalia van Solms, wife of Frederik Hendrik of Orange-Nassau and one of the most signifi...
Long dismissed as dull face painting, portraiture as a visual art gained new interest with the rise ...
This dissertation investigates the function of images in the production of supposed common knowledge...
Nowadays, an understanding and apprehension of ones identity becomes more and more urgent. The searc...
This dissertation argues that compositional shifts that appear in Dutch cityscape paintingsdepicting...
One of the issues which helps painters have a better understanding of history of art, is the history...
Throughout the years the purpose of the portrait, along with it’s story, has changed considerably. ...
In the seventeenth century, the proliferation of Dutch family portraits among the broad middle class...
Eighteenth-century English and American portraits are complex, culturally bound artifacts subject to...
During the second half of the sixteenth century, engraved series of allegorical subjects featuring p...
In the mid-seventeenth century, printers in the city of Amsterdam began to publish and disseminate p...
This dissertation examines the roles that portraits of artists played in the social commerce of frie...
This thesis investigates the representation of children through a study of 165 portraits dating from...
This thesis examines the place of Dutch genre painting in the English theory of art between 1695, wh...