Comprend des références bibliographiques (pages 85-87).Some remarks on: an introduction -- Some remarks on: the end of art -- Some remarks on: art after the end of art -- Some remarks on: the alleged death of the exhibition -- Some remarks on: the gallery as theater -- Some remarks on: the curator as an agent of social change -- Some remarks on: the curator as author -- Some remarks on: the exhibition as a dramatic construction -- Some remarks on: the making of an exhibition (or three) -- Some remarks on: making sense, or not (contemporary curating) -- Some remarks on: the curator's dangerous mind -- Some remarks on: a requisite recalibration of the curatorial -- Some remarks on: the ubiquitous and strangely homogeneous biennial -- Some rem...
The phenomenon of films shown in art galleries - exhibition cinema - can be understood as a response...
At the junction of the sociology of art and sociology of the professions, this article inquires into...
Pour qui, à quelles fins, et comment exposer le théâtre? L’approche muséologique se veut ici à la fo...
It is quite clear that exhibitions have evolved in an unprecedented way in the latter half of the 20...
Part of topic : Ambiantal experiences and experimentsInternational audienceAssuming that the sharing...
Based on theoretical research and distinctive case studies, this publication traces the interrelatio...
This study addresses the recent interest in the role of the curator as author and producer, arguing...
Outgrowth of a research project of the same name conducted by HES-SO/University of Applied Sciences ...
It has been over 200 years that the term “exhibition” (roughly in the meaning in which we use it tod...
"In recent years there has been increasing scholarly interest in the history of museums, academies, ...
"This anthology provides a multivocal critique of the exhibition of contemporary art, bringing toget...
The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition context...
La muséologie a connu des stades dans son développement qui correspondent à de vérita...
This book comprises twenty eight essays by leading experts in contemporary art on the difference bet...
The museum exhibition, a medium in a state of change. The aim of the article is to present an overvi...
The phenomenon of films shown in art galleries - exhibition cinema - can be understood as a response...
At the junction of the sociology of art and sociology of the professions, this article inquires into...
Pour qui, à quelles fins, et comment exposer le théâtre? L’approche muséologique se veut ici à la fo...
It is quite clear that exhibitions have evolved in an unprecedented way in the latter half of the 20...
Part of topic : Ambiantal experiences and experimentsInternational audienceAssuming that the sharing...
Based on theoretical research and distinctive case studies, this publication traces the interrelatio...
This study addresses the recent interest in the role of the curator as author and producer, arguing...
Outgrowth of a research project of the same name conducted by HES-SO/University of Applied Sciences ...
It has been over 200 years that the term “exhibition” (roughly in the meaning in which we use it tod...
"In recent years there has been increasing scholarly interest in the history of museums, academies, ...
"This anthology provides a multivocal critique of the exhibition of contemporary art, bringing toget...
The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition context...
La muséologie a connu des stades dans son développement qui correspondent à de vérita...
This book comprises twenty eight essays by leading experts in contemporary art on the difference bet...
The museum exhibition, a medium in a state of change. The aim of the article is to present an overvi...
The phenomenon of films shown in art galleries - exhibition cinema - can be understood as a response...
At the junction of the sociology of art and sociology of the professions, this article inquires into...
Pour qui, à quelles fins, et comment exposer le théâtre? L’approche muséologique se veut ici à la fo...