Directional audio coding (DirAC) provides an efficient representation of spatial sound using a downmix audio signal and parametric information, namely direction-of-arrival (DOA) and diffuseness of sound. Input to the DirAC analysis are B-format signals, usually obtained via microphone arrays. The DirAC parameter estimation is impaired when phase mismatch between the array sensors occurs. We present an approach for the in situ microphone array calibration solely based on the DirAC parameters. The algorithm aims at providing consistent parameter estimates rather than matching the sensors explicitly. It does neither require to remove the sensors from the array, nor depend on a priori knowledge such as the array size. We further propose a suita...
Directional audio coding (DirAC) is a recent method for spatial audio processing, based on a percept...
Spatial audio coding techniques are fundamental for recording, coding and rendering spatial sound. E...
Reproduction of spatial properties of recorded sound scenes is increasingly recognised as a crucial ...
Directional Audio Coding (DirAC) provides an efficient description of spatial sound in terms of few ...
Directional Audio Coding (DirAC) is an efficient technique to capture and reproduce spatial sound on...
Directional Audio Coding (DirAC) is an efficient technique to capture and reproduce spatial sound on...
Recording and reproduction of spatial audio is important with multichannel audio applications. Direc...
Modern home entertainment systems offer surround sound audio playback. This progress over known mono...
A spatial-sound processing technique, Directional Audio Coding (DirAC), provides a parametric repres...
Directional Audio Coding (DirAC) represents an efficient scheme to analyze and reproduce spatial sou...
Directional audio coding (DirAC) is a perceptually motivated method to reproduce spatial sound, whic...
The recording and reproduction of spatial audio gains increasing attention since multichannel sound ...
The use of stereo microphone configuration as input to teleconference application of Directional Aud...
Methods for spatial audio processing are becoming more important as the variety of multichannel audi...
Directional Audio Coding provides an efficient description of spatial sound in terms of few audio do...
Directional audio coding (DirAC) is a recent method for spatial audio processing, based on a percept...
Spatial audio coding techniques are fundamental for recording, coding and rendering spatial sound. E...
Reproduction of spatial properties of recorded sound scenes is increasingly recognised as a crucial ...
Directional Audio Coding (DirAC) provides an efficient description of spatial sound in terms of few ...
Directional Audio Coding (DirAC) is an efficient technique to capture and reproduce spatial sound on...
Directional Audio Coding (DirAC) is an efficient technique to capture and reproduce spatial sound on...
Recording and reproduction of spatial audio is important with multichannel audio applications. Direc...
Modern home entertainment systems offer surround sound audio playback. This progress over known mono...
A spatial-sound processing technique, Directional Audio Coding (DirAC), provides a parametric repres...
Directional Audio Coding (DirAC) represents an efficient scheme to analyze and reproduce spatial sou...
Directional audio coding (DirAC) is a perceptually motivated method to reproduce spatial sound, whic...
The recording and reproduction of spatial audio gains increasing attention since multichannel sound ...
The use of stereo microphone configuration as input to teleconference application of Directional Aud...
Methods for spatial audio processing are becoming more important as the variety of multichannel audi...
Directional Audio Coding provides an efficient description of spatial sound in terms of few audio do...
Directional audio coding (DirAC) is a recent method for spatial audio processing, based on a percept...
Spatial audio coding techniques are fundamental for recording, coding and rendering spatial sound. E...
Reproduction of spatial properties of recorded sound scenes is increasingly recognised as a crucial ...