Coptic iconographer Fadi Mikhail writes about what prompted him to select an ancient form of artistic expression as a venue for his creativity and talent, while Ayad discusses some of the unique features that set Mikhail\u27s icons apart
The Copts of Egypt, who consist of 10-15 per cent of the population, have traditionally been viewed ...
This contribution evaluates the present state of research with regard to the manuscript found at the...
Tématem práce je prozkoumání možné kontinuity mezi staroegyptským náboženstvím a ranou koptskou círk...
During the past thirty years the production of two-dimensional images designed to be used in religio...
Philological and literary studies on Coptic language and literature have faced a growing interest in...
Every nation that has its own role in creating a civilization has a special journey through deferent...
Different are the Coptic icons displayed and preserved in the Coptic monasteries and churches, in th...
The civilization of Egypt since the dawn of history on a religious and ideological basis, leaving a ...
Hlavní myšlenka příspěvku je, že počátky současného koptského ikonopisu (vycházející z práce Isháqa ...
Úvodní část práce sleduje problematiku západního přístupu ke koptské církvi v kontextu definování Ko...
House, Church, Cave examines the relationship between pluralism and placemaking in the context of a ...
peer reviewedGraffiti are considered as one of the richest sources of evidence available of the pers...
The course of the research of Egyptian Late Antique art was influenced for more than seven decades i...
The icon represents a great part of the heritage of Christian arts in Egypt. In this thesis the earl...
This text presents to the academic public two so-far unpublished pieces from the collection of Copti...
The Copts of Egypt, who consist of 10-15 per cent of the population, have traditionally been viewed ...
This contribution evaluates the present state of research with regard to the manuscript found at the...
Tématem práce je prozkoumání možné kontinuity mezi staroegyptským náboženstvím a ranou koptskou círk...
During the past thirty years the production of two-dimensional images designed to be used in religio...
Philological and literary studies on Coptic language and literature have faced a growing interest in...
Every nation that has its own role in creating a civilization has a special journey through deferent...
Different are the Coptic icons displayed and preserved in the Coptic monasteries and churches, in th...
The civilization of Egypt since the dawn of history on a religious and ideological basis, leaving a ...
Hlavní myšlenka příspěvku je, že počátky současného koptského ikonopisu (vycházející z práce Isháqa ...
Úvodní část práce sleduje problematiku západního přístupu ke koptské církvi v kontextu definování Ko...
House, Church, Cave examines the relationship between pluralism and placemaking in the context of a ...
peer reviewedGraffiti are considered as one of the richest sources of evidence available of the pers...
The course of the research of Egyptian Late Antique art was influenced for more than seven decades i...
The icon represents a great part of the heritage of Christian arts in Egypt. In this thesis the earl...
This text presents to the academic public two so-far unpublished pieces from the collection of Copti...
The Copts of Egypt, who consist of 10-15 per cent of the population, have traditionally been viewed ...
This contribution evaluates the present state of research with regard to the manuscript found at the...
Tématem práce je prozkoumání možné kontinuity mezi staroegyptským náboženstvím a ranou koptskou círk...