Subjective testing is necessary when attempting to determine the human response to audio quality. Small rooms, such as recording studio control rooms themselves have an effect upon the quality of the perceived audio reproduction. Of particular interest is the low frequency region where resonances, or ‘room modes’, occur. It is necessary to test a number of modal parameters individually and be able to alter them instantly during testing in response to listener perception. An auralisation method has been developed which is used to compare musical samples within modelled rooms. Methods are discussed in the context of providing a practical system, where real time testing is feasible. The formation of the room’s transfer function is discussed, a...
This paper illustrates the use of psychoacoustic methods and multivariate statistics for perceptual ...
The acoustics of a concert hall, or any other room, are generally assessed by measuring room impulse...
Authenticity of the simulation of room acoustics is evaluated by comparing auralizations with real r...
Critical listening rooms are spaces carefully designed to provide the listener with an accurate list...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
Room modes cause audible artefacts in listening environments. Modal control approaches have emerged ...
During recent years, auralization methods have evolved towards using more interactive measures. The ...
This thesis investigates if reliability in objective acoustic metrics obtained for an auralized spac...
Critical listening rooms are spaces carefully designed to provide the listener with an accurate list...
Real-time auralisation systems are increasingly being used by researchers aiming to observe how part...
Room modes cause audible artifacts in listening environments. Modal control approaches haveemerged i...
Room modes cause audible artifacts in listening environments. Modal control approaches haveemerged i...
This paper illustrates the use of psychoacoustic methods and multivariate statistics for perceptual ...
The acoustics of a concert hall, or any other room, are generally assessed by measuring room impulse...
Authenticity of the simulation of room acoustics is evaluated by comparing auralizations with real r...
Critical listening rooms are spaces carefully designed to provide the listener with an accurate list...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
The quality of low frequency audio reproduction in small spaces has always been problematic. For som...
Room modes cause audible artefacts in listening environments. Modal control approaches have emerged ...
During recent years, auralization methods have evolved towards using more interactive measures. The ...
This thesis investigates if reliability in objective acoustic metrics obtained for an auralized spac...
Critical listening rooms are spaces carefully designed to provide the listener with an accurate list...
Real-time auralisation systems are increasingly being used by researchers aiming to observe how part...
Room modes cause audible artifacts in listening environments. Modal control approaches haveemerged i...
Room modes cause audible artifacts in listening environments. Modal control approaches haveemerged i...
This paper illustrates the use of psychoacoustic methods and multivariate statistics for perceptual ...
The acoustics of a concert hall, or any other room, are generally assessed by measuring room impulse...
Authenticity of the simulation of room acoustics is evaluated by comparing auralizations with real r...