Alain Rabatel : C'est as a point of view marker in fictional narratives C'est has a double representational value in narratives: firstly because it signals the introduction a new object, secondly because it implies a perceiving or thinking "subject of consciousness" that validates the first representational value. This is why c'est is enough to introduce by itself a light point of view effect in the narrative and may become a full point of view marker, when coming along with a perfective to imperfective tense shift. All this is obviously of highest importance in the reading of narratives, since such linguistic devices strengthen the readers's referential illusion and identification with the character or narrator, hence legitimize possible...
International audienceWe propose a semantic and pragmatic analysis of the french locution à premièr...
International audienceThis paper aims at accounting for concurring uses of the passé simple and othe...
Through the analysis of an extract from Child of God, we argue that behind a linguistic form that ex...
Alain Rabatel : C'est as a point of view marker in fictional narratives C'est has a double represen...
C'EST has a double representational value in narratives: firstly because it signals the introduction...
The semantic and textual analysis of the connections between verbs of perception and verbs of though...
Qu’est-ce que donner consistance à des personnages, dans la prose narrative ? Quelles figures de la ...
Poetics and Phenomenology: Point of View and Perception Point of view can be understood either as a...
The Paradoxical Narrator The explicit narrator is commonly held as a straightforward strategy, whic...
À travers cette journée d’études nous souhaitons inviter les participants à la réflexion au sujet ta...
International audienceThe notion of viewpoint is used to a large extent in a set of recent works for...
Narrator and point of view or how to recount. Denis Dormoy, IUFM d'Amiens-Beauvais ; équipe THEODIL...
L'article plaide pour une approche continuiste des relations entre perspective et point de vue à par...
In narratives, either a narrator or a protagonist may be the perspective taker. Importantly, shifts ...
It is necessary to redefine the criteria involved for a text to ,be telling a story, rather than rec...
International audienceWe propose a semantic and pragmatic analysis of the french locution à premièr...
International audienceThis paper aims at accounting for concurring uses of the passé simple and othe...
Through the analysis of an extract from Child of God, we argue that behind a linguistic form that ex...
Alain Rabatel : C'est as a point of view marker in fictional narratives C'est has a double represen...
C'EST has a double representational value in narratives: firstly because it signals the introduction...
The semantic and textual analysis of the connections between verbs of perception and verbs of though...
Qu’est-ce que donner consistance à des personnages, dans la prose narrative ? Quelles figures de la ...
Poetics and Phenomenology: Point of View and Perception Point of view can be understood either as a...
The Paradoxical Narrator The explicit narrator is commonly held as a straightforward strategy, whic...
À travers cette journée d’études nous souhaitons inviter les participants à la réflexion au sujet ta...
International audienceThe notion of viewpoint is used to a large extent in a set of recent works for...
Narrator and point of view or how to recount. Denis Dormoy, IUFM d'Amiens-Beauvais ; équipe THEODIL...
L'article plaide pour une approche continuiste des relations entre perspective et point de vue à par...
In narratives, either a narrator or a protagonist may be the perspective taker. Importantly, shifts ...
It is necessary to redefine the criteria involved for a text to ,be telling a story, rather than rec...
International audienceWe propose a semantic and pragmatic analysis of the french locution à premièr...
International audienceThis paper aims at accounting for concurring uses of the passé simple and othe...
Through the analysis of an extract from Child of God, we argue that behind a linguistic form that ex...