Abstract Producing Images in Africa: Studio Photographers. — This study of the practice of studio photography in Western Africa both before and after the introduction of color photo-graphy places the changing conditions for producing portraits in parallel to the aesthetic codes for regulating how persons are photographed. Once color was introduced in the early 1980s, laboratories deprived studio photographers of control over technical processes. Meanwhile, roving photographers, a new occupational category, were car-ving out a major share in this market. At present, studio photographers have been professionally "marginalized", and the public is turning away from the "photographie ritual". This phenomenon reflects the construction of increasi...
See: https://www.sources-journal.org/521 This issue aims to critically examine, through the use of ...
La photographie de studio a connu un grand succès sur le marché de l’art grâce à l’esthétisa...
French colonisers of the Third Republic claimed not to oppress but to liberate, imagining they were ...
Ce numéro a pour objectif de confronter, à travers l'usage de la photographie documentaire en Afriqu...
La photographie africaine contemporaine est ici celle que pratique les Africains vivant en Afrique. ...
(Sous la direction de John Peffer et Elisabeth L. Cameron, Indiana Press University, African Express...
This paper traces the origins of photography as a visual genre. It goes ahead to discuss the introdu...
Les modalités d'appropriation et les usages sociaux de la photographie africaine en tant qu'innovati...
Les modalités d'appropriation et les usages sociaux de la photographie africaine en tant qu'innovati...
This paper traces the origins of photography as a visual genre. It goes ahead to discuss the introdu...
L'image photographique, sous la forme du portrait, est très largement répandue en Afrique. Ce vecteu...
Senegal’s leading role in the development of African modernism in the 1960s is well known. Lesser-kn...
RésuméL’article s’attache à montrer comment les images « sur » ou « de » l’Afrique au sud du Sahara ...
In this paper I provide baseline estimates for the scale of black-and-white photography as a locally...
Photography as an image–making process is not quite appreciated bybudding artists and professionals ...
See: https://www.sources-journal.org/521 This issue aims to critically examine, through the use of ...
La photographie de studio a connu un grand succès sur le marché de l’art grâce à l’esthétisa...
French colonisers of the Third Republic claimed not to oppress but to liberate, imagining they were ...
Ce numéro a pour objectif de confronter, à travers l'usage de la photographie documentaire en Afriqu...
La photographie africaine contemporaine est ici celle que pratique les Africains vivant en Afrique. ...
(Sous la direction de John Peffer et Elisabeth L. Cameron, Indiana Press University, African Express...
This paper traces the origins of photography as a visual genre. It goes ahead to discuss the introdu...
Les modalités d'appropriation et les usages sociaux de la photographie africaine en tant qu'innovati...
Les modalités d'appropriation et les usages sociaux de la photographie africaine en tant qu'innovati...
This paper traces the origins of photography as a visual genre. It goes ahead to discuss the introdu...
L'image photographique, sous la forme du portrait, est très largement répandue en Afrique. Ce vecteu...
Senegal’s leading role in the development of African modernism in the 1960s is well known. Lesser-kn...
RésuméL’article s’attache à montrer comment les images « sur » ou « de » l’Afrique au sud du Sahara ...
In this paper I provide baseline estimates for the scale of black-and-white photography as a locally...
Photography as an image–making process is not quite appreciated bybudding artists and professionals ...
See: https://www.sources-journal.org/521 This issue aims to critically examine, through the use of ...
La photographie de studio a connu un grand succès sur le marché de l’art grâce à l’esthétisa...
French colonisers of the Third Republic claimed not to oppress but to liberate, imagining they were ...