Smalt is a blue cobalt-coloured glass pigment used in European wall paintings from the early Renaissance period that became a popular choice for artists due to its unique tone, availability, and versatility. The pigment has long been considered as stable in an alkaline environment since it was applied with lime-based techniques and generally retained its colour over time. This perceived stability has meant that aqueous-based alkaline treatments, often involving high pH values, substantial quantities of liquid, and long contact times, have been used in conservation treatments. However, studies of the kinetics of glass deterioration in the past few years have demonstrated that glass is highly reactive in contact with water and substances with...
Metal soap efflorescent hazes and crusts are one of the most visually disturbing of all metal soap r...
The behavior of historic tempera paints exposed to pollutant gases is an important issue when develo...
Publisher's PDFYellow orpiment (As2S3) and red–orange realgar (As4S4) photo-degrade and the nineteen...
Smalt is a blue cobalt-coloured glass pigment used in European wall paintings from the early Renaiss...
International audienceSmalt is a potash glass with a blue colour given by cobalt, common as an artis...
Smalt is a blue pigment used by many European artists in mural and easel paintings, mainly in the pe...
Smalt is a blue pigment used by many European artists in mural and easel paintings, mainly in the pe...
Smalt is a blue pigment used by many European artists in mural and easel paintings, mainly in the pe...
Paint cross-sections of five 16th century paintings with areas of discoloured smalt oil paint were i...
Smalt is a potassium-fluxed, cobalt blue-coloured glass powder that became popular throughout Europe...
Analysis of over 180 historical documentary sources from 1600 to 1900 covering the cleaning of oil p...
The mechanism, the effectiveness, and the potential damage during limewash removal from wall paintin...
As part of the NWO Science4Arts REVISRembrandt project (2012–2018), novel chemical imaging technique...
Currently, approximately 70% of paintings in museum collections are affected by the presence of meta...
Metal soap efflorescent hazes and crusts are one of the most visually disturbing of all metal soap r...
The behavior of historic tempera paints exposed to pollutant gases is an important issue when develo...
Publisher's PDFYellow orpiment (As2S3) and red–orange realgar (As4S4) photo-degrade and the nineteen...
Smalt is a blue cobalt-coloured glass pigment used in European wall paintings from the early Renaiss...
International audienceSmalt is a potash glass with a blue colour given by cobalt, common as an artis...
Smalt is a blue pigment used by many European artists in mural and easel paintings, mainly in the pe...
Smalt is a blue pigment used by many European artists in mural and easel paintings, mainly in the pe...
Smalt is a blue pigment used by many European artists in mural and easel paintings, mainly in the pe...
Paint cross-sections of five 16th century paintings with areas of discoloured smalt oil paint were i...
Smalt is a potassium-fluxed, cobalt blue-coloured glass powder that became popular throughout Europe...
Analysis of over 180 historical documentary sources from 1600 to 1900 covering the cleaning of oil p...
The mechanism, the effectiveness, and the potential damage during limewash removal from wall paintin...
As part of the NWO Science4Arts REVISRembrandt project (2012–2018), novel chemical imaging technique...
Currently, approximately 70% of paintings in museum collections are affected by the presence of meta...
Metal soap efflorescent hazes and crusts are one of the most visually disturbing of all metal soap r...
The behavior of historic tempera paints exposed to pollutant gases is an important issue when develo...
Publisher's PDFYellow orpiment (As2S3) and red–orange realgar (As4S4) photo-degrade and the nineteen...