Salford Zine Library is a volunteer-run, not-for-profit collection of approximately 2,000 zines and other self-published materials housed at Nexus Art Café in Manchester. The makeup of the collection, the way it has been built and its comparatively less restrictive access arrangements make it a unique resource in the UK. Over the last seven years the zine library has grown from a small personal collection to a resource that attracts zine enthusiasts from around the UK and beyon
The essay draws on and consolidates the motivations and methodology around a body of practice that i...
This is a review essay of Quassim Cassam, Self-Knowledge for Humans (Oxford, 2014) and John Doris, T...
The Caveless Mountains: A Recovery Narrative explores the effect trauma has on a victim with family,...
Salford Zine Library is a volunteer-run, not-for-profit collection of approximately 2,000 zines and ...
This paper reports on research in progress that explores the potential role the materiality of thing...
A meditation on owning music as intellectual property, plus a look at the growing costs associated w...
Josephine Urquhart’s looks at the ways in which sociality can be seen as an intrinsic part of ballet
Small text in four tiny chapters to accompany Rachel Beth Egenhoefer's exhibition of new work, Light...
In 1931 the British press expressed outrage at the sale, during the previous year, of rare books fro...
This study uses an experience design approach to take a critical look at a complex ps...
A short blog post for the CLIR Re:Thinking blog on recent high-profile events at the Boston Public L...
Revised version of a paper presented at the Research Summer School of the International Centre for W...
A little-known poem of Marianne Moore's entitled “The Camperdown Elm” has recently been the recipien...
A review essay of Hans Lindahl, Fault Lines of Globalization (OUP, 2013).Peer reviewe
This investigation aims to gain a better understanding of the glacial history of the Pine Point Mini...
The essay draws on and consolidates the motivations and methodology around a body of practice that i...
This is a review essay of Quassim Cassam, Self-Knowledge for Humans (Oxford, 2014) and John Doris, T...
The Caveless Mountains: A Recovery Narrative explores the effect trauma has on a victim with family,...
Salford Zine Library is a volunteer-run, not-for-profit collection of approximately 2,000 zines and ...
This paper reports on research in progress that explores the potential role the materiality of thing...
A meditation on owning music as intellectual property, plus a look at the growing costs associated w...
Josephine Urquhart’s looks at the ways in which sociality can be seen as an intrinsic part of ballet
Small text in four tiny chapters to accompany Rachel Beth Egenhoefer's exhibition of new work, Light...
In 1931 the British press expressed outrage at the sale, during the previous year, of rare books fro...
This study uses an experience design approach to take a critical look at a complex ps...
A short blog post for the CLIR Re:Thinking blog on recent high-profile events at the Boston Public L...
Revised version of a paper presented at the Research Summer School of the International Centre for W...
A little-known poem of Marianne Moore's entitled “The Camperdown Elm” has recently been the recipien...
A review essay of Hans Lindahl, Fault Lines of Globalization (OUP, 2013).Peer reviewe
This investigation aims to gain a better understanding of the glacial history of the Pine Point Mini...
The essay draws on and consolidates the motivations and methodology around a body of practice that i...
This is a review essay of Quassim Cassam, Self-Knowledge for Humans (Oxford, 2014) and John Doris, T...
The Caveless Mountains: A Recovery Narrative explores the effect trauma has on a victim with family,...