I attend to the particular social and revelatory functions that the folkloric has been made to perform in the Japanese tradition. Reaching deep into literary history, I examine the gazetteer (fudoki) and the explanatory tale (setsuwa) as two crucial premodern sites of collection, examining the ways that folkloric texts are embedded in their surrounding literary projects, before turning to a consideration of contemporary women’s fiction. I investigate folklore, not in terms of typology or motif, but rather as a shared cultural reference that can be adjusted, embroidered upon, altered radically, or changed subtly as an act of cultural intervention. This reframing of folklore sheds light on the exigency of tales about sex with nonhumans in con...
Using the new frameworks for analysis of Disney animation laid out by scholars such as Douglas Brode...
The anarchic trickster spider Anansi, whose origins can be traced back to West Africa, is predominan...
This article focuses initially on new empirical research that deliberately utilizes folktales and fa...
Ōba Minako (1930–2007) was captivated by the imaginative world of the mukashi-banashi (folktales) an...
In American films Wilhelm and Jacob Grimm appear as malleable as the folktales they collected and pu...
The Japanese countercultural icon Terayama Shūji produced three projects in the years 1961–1979 that...
Fairy tales starring cross-dressed knights who make war present a clear case of “heroinism.” What, t...
The late Victorian pantomime role of principal boy can be and sometimes was seen as existing outside...
The study of masculinity in fairy tales lags behind the study of femininity, a lack this article add...
20th-century Persian-language oral storytelling in Afghanistan and Islamicate popular literature pro...
The article examines the Druze feminine oral versions of “The Maiden without Hands” (ATU 706), focus...
For nearly two centuries the English theatrical tradition of Christmas pantomime has served as a sig...
The reader is invited to imagine one performance, as transcribed and reported by an ethnographer-fol...
Though fairy-tale retellings by women writers are noted for their usefulness in reinventing feminini...
Despite its global success, the animated Disney film Mulan (1998) did not win the hearts of many Chi...
Using the new frameworks for analysis of Disney animation laid out by scholars such as Douglas Brode...
The anarchic trickster spider Anansi, whose origins can be traced back to West Africa, is predominan...
This article focuses initially on new empirical research that deliberately utilizes folktales and fa...
Ōba Minako (1930–2007) was captivated by the imaginative world of the mukashi-banashi (folktales) an...
In American films Wilhelm and Jacob Grimm appear as malleable as the folktales they collected and pu...
The Japanese countercultural icon Terayama Shūji produced three projects in the years 1961–1979 that...
Fairy tales starring cross-dressed knights who make war present a clear case of “heroinism.” What, t...
The late Victorian pantomime role of principal boy can be and sometimes was seen as existing outside...
The study of masculinity in fairy tales lags behind the study of femininity, a lack this article add...
20th-century Persian-language oral storytelling in Afghanistan and Islamicate popular literature pro...
The article examines the Druze feminine oral versions of “The Maiden without Hands” (ATU 706), focus...
For nearly two centuries the English theatrical tradition of Christmas pantomime has served as a sig...
The reader is invited to imagine one performance, as transcribed and reported by an ethnographer-fol...
Though fairy-tale retellings by women writers are noted for their usefulness in reinventing feminini...
Despite its global success, the animated Disney film Mulan (1998) did not win the hearts of many Chi...
Using the new frameworks for analysis of Disney animation laid out by scholars such as Douglas Brode...
The anarchic trickster spider Anansi, whose origins can be traced back to West Africa, is predominan...
This article focuses initially on new empirical research that deliberately utilizes folktales and fa...