Add to ORKGAlthough tales from the first vogue of French fairy-tale publication (1690–1715) are generally studied as independent narratives, the majority of these stories were originally published in an interpolated manner—inserted into novels, letters, memoirs, and travel relations. This paper explores the motivations behind the popular late seventeenth- century trend of fairy-tale interpolation by examining how the movement’s founder—Marie-Catherine Le Jumel de Barneville, comtesse d’Aulnoy—may have inspired her salon contemporaries to receive, interpret, and eventually reproduce the fairy tale as the latest mondain generic innovation
What was Saint-Simon’s relation to the fairy tale? It is difficult to imagine him immersed in a book...
Over the course of the eighteenth century there is hardly another genre that provoked as many contro...
Over the course of the eighteenth century there is hardly another genre that provoked as many contro...
Although tales from the first vogue of French fairy-tale publication (1690–1715) are generally studi...
L’étude du conte de fées de 1690 à 1789, période de la mode du genre en France, montre que la matièr...
The proliferation of 17th and 18th century fairy tales in Europe centuries occurred as a result of t...
The proliferation of 17th and 18th century fairy tales in Europe centuries occurred as a result of t...
At the turn of the eighteenth-century, France witnessed the evolution of a new literary genre which ...
Madame d'Aulnoy's Contes des fees and Nouveaux Contes des fees were published in 1697 and in 1698. T...
This paper explores the publication history of an early utopia in seventeenth-century French literat...
The fairy tale is an oral genre which became a literary genre towards the end of the 17th century, d...
“France’s First Fairy Tales” offers evidence for a broad distribution of Straparola’s tale collectio...
Abstract. At the end of the 17th century, Charles Perrault wrote what would remain his most famous b...
“France’s First Fairy Tales” offers evidence for a broad distribution of Straparola’s tale collectio...
“France’s First Fairy Tales” offers evidence for a broad distribution of Straparola’s tale collectio...
What was Saint-Simon’s relation to the fairy tale? It is difficult to imagine him immersed in a book...
Over the course of the eighteenth century there is hardly another genre that provoked as many contro...
Over the course of the eighteenth century there is hardly another genre that provoked as many contro...
Although tales from the first vogue of French fairy-tale publication (1690–1715) are generally studi...
L’étude du conte de fées de 1690 à 1789, période de la mode du genre en France, montre que la matièr...
The proliferation of 17th and 18th century fairy tales in Europe centuries occurred as a result of t...
The proliferation of 17th and 18th century fairy tales in Europe centuries occurred as a result of t...
At the turn of the eighteenth-century, France witnessed the evolution of a new literary genre which ...
Madame d'Aulnoy's Contes des fees and Nouveaux Contes des fees were published in 1697 and in 1698. T...
This paper explores the publication history of an early utopia in seventeenth-century French literat...
The fairy tale is an oral genre which became a literary genre towards the end of the 17th century, d...
“France’s First Fairy Tales” offers evidence for a broad distribution of Straparola’s tale collectio...
Abstract. At the end of the 17th century, Charles Perrault wrote what would remain his most famous b...
“France’s First Fairy Tales” offers evidence for a broad distribution of Straparola’s tale collectio...
“France’s First Fairy Tales” offers evidence for a broad distribution of Straparola’s tale collectio...
What was Saint-Simon’s relation to the fairy tale? It is difficult to imagine him immersed in a book...
Over the course of the eighteenth century there is hardly another genre that provoked as many contro...
Over the course of the eighteenth century there is hardly another genre that provoked as many contro...