Through a series of inversions of the structure and content of canonical European literary fairy tales, Bill Willingham’s comic book Fables functions, at once, as parody, commentary, and as an ongoing fairy tale in its own right. The classic fairy-tale characters of the Grimms and Charles Perrault are given corporeal form—given sexuality and sensuality in the comic’s pages—and through this transformation are reshaped into a refracting lens for the moral precepts of those collections. The result is a postmodern literary endeavor that is neither condemnation nor celebration of the material from which it draws, but something in between
In accord with the promise made by Henry Jenkins that “old and new media will interact in ever more ...
In Marie-Catherine d’Aulnoy’s animal tales such as “The White Cat,” “The Blue Bird,” and “The Bee an...
Fairy tales are often violent. But one kind of fairy-tale violence has been overlooked: the sacrific...
Through a series of inversions of the structure and content of canonical European literary fairy tal...
Bill Willingham’s Fables comic book series and its spin-offs have spanned fourteen years and reinfor...
This article examines the reproductions of fairy-tale images and stories in the comic-book series Fa...
DC Comics's Fables is a postmodern pop culture pastiche which involves both the extraordinary v...
Among genres of the fantastic, fairy tales are set apart in their traditional and most popular versi...
This chapter looks at the graphic novel Reflets d\u2019\ue9cume (Ange and Varanda 1994, 1995), a rev...
The paper presents the impact of the Romanian The White Moor fairy tale adaptation into comic strip ...
This books brings engages with studies on Romanticism and on monsters in order to map out the herita...
In this thesis, I examine and analyze three literary works of postmodern fairy tales:\ud Emma Donogh...
Bibliography: leaves 190-201.Despite the age of the fairy-tale tradition, and its focus on fairly pr...
A chapter in an edited volumeThis chapter argues that the power of comics resides in the historic ap...
Ce travail porte sur les origines et les évolutions du conte merveilleux et de sapoétique, à travers...
In accord with the promise made by Henry Jenkins that “old and new media will interact in ever more ...
In Marie-Catherine d’Aulnoy’s animal tales such as “The White Cat,” “The Blue Bird,” and “The Bee an...
Fairy tales are often violent. But one kind of fairy-tale violence has been overlooked: the sacrific...
Through a series of inversions of the structure and content of canonical European literary fairy tal...
Bill Willingham’s Fables comic book series and its spin-offs have spanned fourteen years and reinfor...
This article examines the reproductions of fairy-tale images and stories in the comic-book series Fa...
DC Comics's Fables is a postmodern pop culture pastiche which involves both the extraordinary v...
Among genres of the fantastic, fairy tales are set apart in their traditional and most popular versi...
This chapter looks at the graphic novel Reflets d\u2019\ue9cume (Ange and Varanda 1994, 1995), a rev...
The paper presents the impact of the Romanian The White Moor fairy tale adaptation into comic strip ...
This books brings engages with studies on Romanticism and on monsters in order to map out the herita...
In this thesis, I examine and analyze three literary works of postmodern fairy tales:\ud Emma Donogh...
Bibliography: leaves 190-201.Despite the age of the fairy-tale tradition, and its focus on fairly pr...
A chapter in an edited volumeThis chapter argues that the power of comics resides in the historic ap...
Ce travail porte sur les origines et les évolutions du conte merveilleux et de sapoétique, à travers...
In accord with the promise made by Henry Jenkins that “old and new media will interact in ever more ...
In Marie-Catherine d’Aulnoy’s animal tales such as “The White Cat,” “The Blue Bird,” and “The Bee an...
Fairy tales are often violent. But one kind of fairy-tale violence has been overlooked: the sacrific...