History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, featuring new compositions by Annea Lockwood, libretto by Maria Fusco and improvisational vocal work by Héloïse Werner. Shot on 35mm by Margaret.This intersectional, intergenerational feminist work forefronts working-class women’s voices to ask: who has the right to speak, and in what way? Layering sociological, cultural, and political themes from the recent history of Northern Ireland, the work exercises voice, breath and field-recording composition through a range of film techniques and operatic articulations, to amplify marginalised stories. Made on 35mm and video in the streets of Belfast, the Ulster Museum and the Royal Opera House in Lond...
INTERNATIONAL CONFERENCE December 12-14, 2013, Paris. With the aim of generating dialogue between hi...
Opera and the Undoing of Women by Experience Vocal Dance Company used an experimental method called ...
What relevance does the international history and practice of slavery have on our society and cultur...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
The research project ‘Calling the Shots: Women and contemporary film culture in the UK, 2000–2015’ i...
I Remember All is an exhibition that challenges the authorship of written creative works once they h...
Pivoting on the creation of a feminist revisionist history, this project establishes a cultural geog...
‘Who Can Tell ...!’ was a collaborative community theatre project based on oral interviews conducted...
This sound-led work, funded as part of Sisterhood and After: The Women's Liberation Oral History Pro...
A site-specific performance involving live performance and video projections re-imagining the suffra...
Based in both the British Library and the Royal College of Art, students from the MA Digital Directi...
INTERNATIONAL CONFERENCE December 12-14, 2013, Paris. With the aim of generating dialogue between hi...
Opera and the Undoing of Women by Experience Vocal Dance Company used an experimental method called ...
What relevance does the international history and practice of slavery have on our society and cultur...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
History of the Present is an opera-film, made collaboratively by Maria Fusco and Margaret Salmon, fe...
The research project ‘Calling the Shots: Women and contemporary film culture in the UK, 2000–2015’ i...
I Remember All is an exhibition that challenges the authorship of written creative works once they h...
Pivoting on the creation of a feminist revisionist history, this project establishes a cultural geog...
‘Who Can Tell ...!’ was a collaborative community theatre project based on oral interviews conducted...
This sound-led work, funded as part of Sisterhood and After: The Women's Liberation Oral History Pro...
A site-specific performance involving live performance and video projections re-imagining the suffra...
Based in both the British Library and the Royal College of Art, students from the MA Digital Directi...
INTERNATIONAL CONFERENCE December 12-14, 2013, Paris. With the aim of generating dialogue between hi...
Opera and the Undoing of Women by Experience Vocal Dance Company used an experimental method called ...
What relevance does the international history and practice of slavery have on our society and cultur...