This article argues that Regulation (EU) 2019/880 and its implementation will need to be reviewed in order to reach its goals. Regulation (EU) 2019/880 seeks to protect cultural heritage and prevent money laundering and terrorism financing by regulating the import of cultural goods into one of the largest art markets in the world. The Regulation however suffers from several shortcomings with respect to various issues. The article analyses four of these issues, starting with the process of creation of Regulation (EU) 2019/880 and the main critique of it being based on (too) little evidence. Moreover, attention is paid to the necessary practicalities of the European-wide implementation of Regulation (EU) 2019/880, the complexity caused by the...
The author argues that it is necessary to use international law to prevent the illicit transfer of t...
In recent years the phenomenon of the illicit trafficking in cultural assets has been addressed by i...
This Comment will begin by providing a background of the various types of art theft and the steps, i...
Restrictions on the trade in cultural goods are of particular importance, constituting a special leg...
This Comment argues that although the Directive and the Regulation represent a valuable improvement ...
This paper analyses the rationale for restricting the international trade in art, namely protection ...
Regulation (EU) 2019/880 of the European Parliament and of the Council assigned implementing powers ...
Restitution is one of means of culture goods protection. It ensure possibilities of national herita...
The 1995 UNIDROIT Convention is one of the only international cultural heritage conventions that hav...
This article deals with the implementation of Directive 2014/60/EU of the European Parliament and of...
The aim of this paper is to review the trade environment for cultural goods and services and to outl...
This paper analyses the rationale for restricting the international trade in art, namely protection ...
Cultural heritage has a dual nature: it is pursued for non-economic purposes; but it also forms part...
The 1995 UNIDROIT Convention on Stolen or Illegally Exported Cultural Objects has hitherto been subj...
Artykuł podejmuje temat najnowszej regulacji z obszaru unijnego prawa ochrony dziedzictwa kulturoweg...
The author argues that it is necessary to use international law to prevent the illicit transfer of t...
In recent years the phenomenon of the illicit trafficking in cultural assets has been addressed by i...
This Comment will begin by providing a background of the various types of art theft and the steps, i...
Restrictions on the trade in cultural goods are of particular importance, constituting a special leg...
This Comment argues that although the Directive and the Regulation represent a valuable improvement ...
This paper analyses the rationale for restricting the international trade in art, namely protection ...
Regulation (EU) 2019/880 of the European Parliament and of the Council assigned implementing powers ...
Restitution is one of means of culture goods protection. It ensure possibilities of national herita...
The 1995 UNIDROIT Convention is one of the only international cultural heritage conventions that hav...
This article deals with the implementation of Directive 2014/60/EU of the European Parliament and of...
The aim of this paper is to review the trade environment for cultural goods and services and to outl...
This paper analyses the rationale for restricting the international trade in art, namely protection ...
Cultural heritage has a dual nature: it is pursued for non-economic purposes; but it also forms part...
The 1995 UNIDROIT Convention on Stolen or Illegally Exported Cultural Objects has hitherto been subj...
Artykuł podejmuje temat najnowszej regulacji z obszaru unijnego prawa ochrony dziedzictwa kulturoweg...
The author argues that it is necessary to use international law to prevent the illicit transfer of t...
In recent years the phenomenon of the illicit trafficking in cultural assets has been addressed by i...
This Comment will begin by providing a background of the various types of art theft and the steps, i...