This thesis is an exploration of the contemporary aesthetic values placed on historical costume design. This thesis focuses on the movie Gaslight, set in 1885 and made in 1944, and compares the film version to actual historical garments of the period. It also discusses the factors that may have influenced the design of the film, such as studio management, actor image and marketing, the personal fashion sense of the designer, and the public’s overall expectations of historic accuracy. It further examines actual historical garments from the University of Texas’ Historical Collection for contemporary construction techniques, and includes a journal documenting the process of creating a historically accurate 1885 silhouetteTheatre and Danc
The purpose of this research was to understand what we can learn from historical garment making. Mak...
As the representation of people’s identity, dress reveals people’s characteristics, social status an...
Carleen Gabrys, Fashion and Textile TechnologyFaculty Mentor(s): Professor Arlesa Shephard, Fashion ...
In recent years, historical accuracy in costume design has attracted much attention based on the act...
The aim of this thesis is to demonstrate that historical costumes can be a valid tool to crystallize...
This thesis investigates historical interpretation in late nineteenth and early twentieth century st...
The purpose of this project is to create a costume to wear from the 1940s. I will immerse myself in ...
This paper investigates the creative practice involved in the production of historical film and cons...
Project (M.A., History (Public History))--California State University, Sacramento, 2012.Costumes hav...
The costume designer for the Marie Antoinette (1938), Gilbert Adrian, researched the 18th century dr...
Orzada, Belinda T.Gilbert Adrian was a well-known and highly publicized costume designer in Hollywoo...
This thesis will investigate how developers can create recognizable and historically realistic femal...
The scope of this study as to time embraces the period beginning with the year 1900 and ending with ...
In the fall of 1971, this writer undertook a creative project in costume design for the play Macbeth...
The thesis compares the creation process of film and theatrical liturgical costume with regard to lo...
The purpose of this research was to understand what we can learn from historical garment making. Mak...
As the representation of people’s identity, dress reveals people’s characteristics, social status an...
Carleen Gabrys, Fashion and Textile TechnologyFaculty Mentor(s): Professor Arlesa Shephard, Fashion ...
In recent years, historical accuracy in costume design has attracted much attention based on the act...
The aim of this thesis is to demonstrate that historical costumes can be a valid tool to crystallize...
This thesis investigates historical interpretation in late nineteenth and early twentieth century st...
The purpose of this project is to create a costume to wear from the 1940s. I will immerse myself in ...
This paper investigates the creative practice involved in the production of historical film and cons...
Project (M.A., History (Public History))--California State University, Sacramento, 2012.Costumes hav...
The costume designer for the Marie Antoinette (1938), Gilbert Adrian, researched the 18th century dr...
Orzada, Belinda T.Gilbert Adrian was a well-known and highly publicized costume designer in Hollywoo...
This thesis will investigate how developers can create recognizable and historically realistic femal...
The scope of this study as to time embraces the period beginning with the year 1900 and ending with ...
In the fall of 1971, this writer undertook a creative project in costume design for the play Macbeth...
The thesis compares the creation process of film and theatrical liturgical costume with regard to lo...
The purpose of this research was to understand what we can learn from historical garment making. Mak...
As the representation of people’s identity, dress reveals people’s characteristics, social status an...
Carleen Gabrys, Fashion and Textile TechnologyFaculty Mentor(s): Professor Arlesa Shephard, Fashion ...