This article discusses What’s Be Happen?, New Zealand’s first reggae album, released by the band Herbs in July 1981. The lyrics and adopted ‘message music’ constitute a nexus that connects, marks and speaks of salient political and social events and issues in the 1970s and early 1980s. These issues divided New Zealand society at the time, and have helped shape both opinion and many New Zealanders’ sense of their identity. The lyrics refer in particular to protests against the loss of Māori ancestral lands; the struggle to end apartheid in South Africa; the conflict between loss of Pacific Island roots and material ambitions in New Zealand, as well as the day to day experiences and police treatment of urban Māori and Pacific Island people. A...
This book explores the history of reggae in modern Britain from the time it emerged as a cultural fo...
When reggae emerged in the late 1960s, it came as a cultural bombshell not only to Jamaica but the w...
This article identifies and explores an emerging tendency among Melanesians to reenvision their regi...
This article discusses What’s Be Happen?, New Zealand’s first reggae album, released by the band Her...
This paper extends aspects of Mikhail Bakhtin’s theory of dialogic relations in the discourse of nov...
This thesis presents an analysis of Herbs’ record album What’s Be Happen? The album has been recogni...
A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyric...
This paper begins by exploring the notions of resistance and protest in popular music. Although the ...
Abstract This article addresses how representations and reception of Bob Marley and reggae in Aotea...
A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyric...
'Police On My Back' was written in England by Eddy Grant and recorded by his group, The Equals, in 1...
vii, 161 leaves :ill ; 30 cm. Includes bibliographical references. University of Otago department: M...
This article examines the complex racial and national politics that surrounded British post-punk mus...
This article explores the role of Reggae music and Rastafari in the creation of alternative public a...
The Nature’s Best compilation albums (2002, 2003) comprise a canon of New Zealand popular music. Vot...
This book explores the history of reggae in modern Britain from the time it emerged as a cultural fo...
When reggae emerged in the late 1960s, it came as a cultural bombshell not only to Jamaica but the w...
This article identifies and explores an emerging tendency among Melanesians to reenvision their regi...
This article discusses What’s Be Happen?, New Zealand’s first reggae album, released by the band Her...
This paper extends aspects of Mikhail Bakhtin’s theory of dialogic relations in the discourse of nov...
This thesis presents an analysis of Herbs’ record album What’s Be Happen? The album has been recogni...
A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyric...
This paper begins by exploring the notions of resistance and protest in popular music. Although the ...
Abstract This article addresses how representations and reception of Bob Marley and reggae in Aotea...
A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyric...
'Police On My Back' was written in England by Eddy Grant and recorded by his group, The Equals, in 1...
vii, 161 leaves :ill ; 30 cm. Includes bibliographical references. University of Otago department: M...
This article examines the complex racial and national politics that surrounded British post-punk mus...
This article explores the role of Reggae music and Rastafari in the creation of alternative public a...
The Nature’s Best compilation albums (2002, 2003) comprise a canon of New Zealand popular music. Vot...
This book explores the history of reggae in modern Britain from the time it emerged as a cultural fo...
When reggae emerged in the late 1960s, it came as a cultural bombshell not only to Jamaica but the w...
This article identifies and explores an emerging tendency among Melanesians to reenvision their regi...