Title of Document: NOT LEADING LADY MATERIAL Megan Morse Jans, Master of Fine Arts Dance, 2015 Directed By: Professor Karen Bradley, Head of MFA Dance Program; Head of Dance Performance and Scholarship, School of Theatre, Dance, and Performance Studies This thesis is a reflection on the creation, cultivation, process and performance of Megan Morse Jans' original work Not Leading Lady Material, an interdisciplinary dance-theater piece presented in a style evocative of the cabarets of the Weimar Republic. The performance included song, storytelling and dance, and thematically explored intimacy, identity, and social/political disruption all while eliminating the fourth wall and inviting the audience on a journey through personal n...
My undergraduate honors distinction research explores the reconstruction of a historical dance work ...
Senior recitals, along with fulfilling one of the requirements for graduation from the Music Perform...
In|And|Of|Through was a thesis concert performed March 8-9, 2012 at the Clarice Smith Performing Art...
abstract: Don't Hold Your Breath is an evening-length performance created and performed by Sarah "Sa...
Born and raised in the Kentucky, Angella Foster explores her kinship with the strong women who shape...
Fosse's statement provides us with the epitome of musical theatre dance. The beauty of musical theat...
This event pursues the difficulty and accessibility of translation and shares the body as our source...
To see a theatrical show onstage is a nightly thrill for thousands of audience members worldwide. Un...
abstract: “Mierda.” was an original 50-minute solo dance and theater performance by Jordan Klitzke a...
Nina Simone, Dance Theater and the Shapes of Women contains the background, process, involvement and...
ABSTRACT Title of Document: TRIUMPH OF DISRUPTION: A MOVEMENT TO SUBVERT Kwame Densu Opare, M...
This written project explores five approaches to the dance performance event "Songs of My Life." Th...
Dare to Dance is a showcase of my own choreography. The purpose of this project is to display my gro...
A night of two MFA candidates’ thesis works, Undermining Fine is a dance concert composed of Three C...
thesisVision/Revision is the title of a ballet I created during my graduate studies, and in many way...
My undergraduate honors distinction research explores the reconstruction of a historical dance work ...
Senior recitals, along with fulfilling one of the requirements for graduation from the Music Perform...
In|And|Of|Through was a thesis concert performed March 8-9, 2012 at the Clarice Smith Performing Art...
abstract: Don't Hold Your Breath is an evening-length performance created and performed by Sarah "Sa...
Born and raised in the Kentucky, Angella Foster explores her kinship with the strong women who shape...
Fosse's statement provides us with the epitome of musical theatre dance. The beauty of musical theat...
This event pursues the difficulty and accessibility of translation and shares the body as our source...
To see a theatrical show onstage is a nightly thrill for thousands of audience members worldwide. Un...
abstract: “Mierda.” was an original 50-minute solo dance and theater performance by Jordan Klitzke a...
Nina Simone, Dance Theater and the Shapes of Women contains the background, process, involvement and...
ABSTRACT Title of Document: TRIUMPH OF DISRUPTION: A MOVEMENT TO SUBVERT Kwame Densu Opare, M...
This written project explores five approaches to the dance performance event "Songs of My Life." Th...
Dare to Dance is a showcase of my own choreography. The purpose of this project is to display my gro...
A night of two MFA candidates’ thesis works, Undermining Fine is a dance concert composed of Three C...
thesisVision/Revision is the title of a ballet I created during my graduate studies, and in many way...
My undergraduate honors distinction research explores the reconstruction of a historical dance work ...
Senior recitals, along with fulfilling one of the requirements for graduation from the Music Perform...
In|And|Of|Through was a thesis concert performed March 8-9, 2012 at the Clarice Smith Performing Art...