My work is a response to my search for identity and to my alienation as a refugee in particular, thus challenging all human condition. Through the use of domestic and textile artifacts I explore the traces of the feminine body in space, and the tension between traditional expectations and the cultural trauma of displacement. Forces like beauty and violence present in my work portray this tension
In Willing Skin, a thesis in photography and poetry, I will attempt to deconstruct the traditions of...
Through photography, film, and personal experience I learn to weave together a self-portrait of the ...
What Surfaces From One is an exploration of the emotive aspects of the human form. I present the fi...
In recent years, human skin has been explored as a medium, metaphor, and milieu. Images of and objec...
This paper is the textual component for an ongoing visual arts MFA graduate thesis at Emily Carr Uni...
The purpose of this dissertation is to explore the notion of skin, its functions, and dysfunctions a...
This article examines how the body in Pedro Almodóvar’s The Skin I Live In (2011) is incorporated in...
This thesis contains two distinct chapters as well as a section of photographs of my paintings. The ...
This text examines the complexity of attempting to empathize with bodies that are vastly othered fro...
The objectification of women’s bodies through the Western art trope of the female nude debilitates a...
Includes abstract.Includes bibliographical references (p. 103-110).This text offers an exploration i...
The focus of this thesis is Untitled 2018, a multi layered black and white photographic collage, pie...
This project aims to visually record the feeling of being seen and queer women and non-binary people...
Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1993.Includes bibli...
This research investigates the practice of tattooing as a material, affective and superficial techno...
In Willing Skin, a thesis in photography and poetry, I will attempt to deconstruct the traditions of...
Through photography, film, and personal experience I learn to weave together a self-portrait of the ...
What Surfaces From One is an exploration of the emotive aspects of the human form. I present the fi...
In recent years, human skin has been explored as a medium, metaphor, and milieu. Images of and objec...
This paper is the textual component for an ongoing visual arts MFA graduate thesis at Emily Carr Uni...
The purpose of this dissertation is to explore the notion of skin, its functions, and dysfunctions a...
This article examines how the body in Pedro Almodóvar’s The Skin I Live In (2011) is incorporated in...
This thesis contains two distinct chapters as well as a section of photographs of my paintings. The ...
This text examines the complexity of attempting to empathize with bodies that are vastly othered fro...
The objectification of women’s bodies through the Western art trope of the female nude debilitates a...
Includes abstract.Includes bibliographical references (p. 103-110).This text offers an exploration i...
The focus of this thesis is Untitled 2018, a multi layered black and white photographic collage, pie...
This project aims to visually record the feeling of being seen and queer women and non-binary people...
Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1993.Includes bibli...
This research investigates the practice of tattooing as a material, affective and superficial techno...
In Willing Skin, a thesis in photography and poetry, I will attempt to deconstruct the traditions of...
Through photography, film, and personal experience I learn to weave together a self-portrait of the ...
What Surfaces From One is an exploration of the emotive aspects of the human form. I present the fi...
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