Tzveta Kassabova creates an interactive environment for the audience, with dancers acting as guides through experiences of taste, touch and other sensations. The work plays with perceptions and shifting realities as it incorporates different approaches to scale and proximity. Corridors, entryways, and rooms are strung together, leading the audience into a maze of unexpected situations that are designed to evoke sensory memories and associations
This paper is an account of the creative process that resulted in the dissertation for a PhD in musi...
Elongated Tongues: A Compositional Development from Classroom to Performance / / Presenter: Emily H...
abstract: “Mierda.” was an original 50-minute solo dance and theater performance by Jordan Klitzke a...
I designed the lighting for 8 different pieces within Faculty/Graduate Dance Concert 2020. I decided...
This event pursues the difficulty and accessibility of translation and shares the body as our source...
Choreography: Michelle Erard Performers: Hanna Bredvik, Catherine Davis, Chloe Ford, Fern Katz, Tim ...
The choreographer became Interested In multi-dimensional choreography through working with electroni...
Each artistic discipline uses improvisation in some way, but rarely do they get to share the same sp...
Choreography and performance: Annie Rudnik Lighting design: Michael Wonson Costume design: Emily Jus...
Visible Seams is a roving tapestry of movement and sound that flows up staircases, rolls down hallwa...
Direction: Kate Seethaler. Performers: Jenny Bennett, Shaina Cantino, Emily Lukasewski, Molly McBrid...
The movement in this piece is entirely improvised. The collaborators have agreed upon a structure, a...
abstract: The ASU School of Dance presents The Dance Annual March 5-7 2010 with works by dance facul...
Choreography: Barbie Diewald Performers: Sophia Arnall, Céline Barreau, Brit Claiborne, Tess Lane, ...
As an artist, I am continuously searching for different ways to create new and exciting art. I draw ...
This paper is an account of the creative process that resulted in the dissertation for a PhD in musi...
Elongated Tongues: A Compositional Development from Classroom to Performance / / Presenter: Emily H...
abstract: “Mierda.” was an original 50-minute solo dance and theater performance by Jordan Klitzke a...
I designed the lighting for 8 different pieces within Faculty/Graduate Dance Concert 2020. I decided...
This event pursues the difficulty and accessibility of translation and shares the body as our source...
Choreography: Michelle Erard Performers: Hanna Bredvik, Catherine Davis, Chloe Ford, Fern Katz, Tim ...
The choreographer became Interested In multi-dimensional choreography through working with electroni...
Each artistic discipline uses improvisation in some way, but rarely do they get to share the same sp...
Choreography and performance: Annie Rudnik Lighting design: Michael Wonson Costume design: Emily Jus...
Visible Seams is a roving tapestry of movement and sound that flows up staircases, rolls down hallwa...
Direction: Kate Seethaler. Performers: Jenny Bennett, Shaina Cantino, Emily Lukasewski, Molly McBrid...
The movement in this piece is entirely improvised. The collaborators have agreed upon a structure, a...
abstract: The ASU School of Dance presents The Dance Annual March 5-7 2010 with works by dance facul...
Choreography: Barbie Diewald Performers: Sophia Arnall, Céline Barreau, Brit Claiborne, Tess Lane, ...
As an artist, I am continuously searching for different ways to create new and exciting art. I draw ...
This paper is an account of the creative process that resulted in the dissertation for a PhD in musi...
Elongated Tongues: A Compositional Development from Classroom to Performance / / Presenter: Emily H...
abstract: “Mierda.” was an original 50-minute solo dance and theater performance by Jordan Klitzke a...