In this paper, the authors describe how they use an electric bass as a subtle, expressive and intuitive interface to browse the rich sample bank available to most laptop owners. This is achieved by audio mosaicing of the live bass performance audio, through corpus-based concatenative synthesis (CBCS) techniques, allowing a mapping of the multi-dimensional expressivity of the performance onto foreign audio material, thus recycling the virtuosity acquired on the electric instrument with a trivial learning curve. This design hypothesis is contextualised and assessed within the Sandbox#n series of bass+laptop meta-instruments, and the authors describe technical means of the implementation through the use of the open-source CataRT CBCS system ad...
Polyphonic music (music consisting of several instruments playing in parallel) is an intuitive way o...
The rise of the academy as patron of art music, the philosophical underpinnings of futurists like ...
cote interne IRCAM: Einbond11aNone / NoneNational audienceHow can sound descriptors arising from stu...
cote interne IRCAM: Tremblay10aNone / NoneNational audienceIn this paper, the authors describe how t...
Timbre space is a cognitive model useful to address the problem of structuring timbre in electronic ...
This thesis examines contemporary approaches to live computer music, and the impact they have on the...
Taking a performance by Z’EV and John Zorn as an inspirational starting point, Bass Drum, Sax & Lapt...
This paper looks at the synthesis of computer technology and instrumental practice in improvised mus...
Taking a performance by Z’EV and John Zorn as an inspirational starting point, Bass Drum, Sax & Lapt...
The aim of this project was to investigate how bass frequency vibration can be applied as an interve...
CATORACLE responds to the need to join high-level control of audio timbre with the organization of m...
Databases of audio can form the basis for new algorithmic critic systems, applying techniques from t...
In this study, work is presented on a hybrid acoustic / electric violin. The instrument has embedded...
This thesis explores double bass feedback systems, with a focus on the FAAB (feedback-actuated augme...
This thesis examines contemporary approaches to live computer music, and the impact they have on th...
Polyphonic music (music consisting of several instruments playing in parallel) is an intuitive way o...
The rise of the academy as patron of art music, the philosophical underpinnings of futurists like ...
cote interne IRCAM: Einbond11aNone / NoneNational audienceHow can sound descriptors arising from stu...
cote interne IRCAM: Tremblay10aNone / NoneNational audienceIn this paper, the authors describe how t...
Timbre space is a cognitive model useful to address the problem of structuring timbre in electronic ...
This thesis examines contemporary approaches to live computer music, and the impact they have on the...
Taking a performance by Z’EV and John Zorn as an inspirational starting point, Bass Drum, Sax & Lapt...
This paper looks at the synthesis of computer technology and instrumental practice in improvised mus...
Taking a performance by Z’EV and John Zorn as an inspirational starting point, Bass Drum, Sax & Lapt...
The aim of this project was to investigate how bass frequency vibration can be applied as an interve...
CATORACLE responds to the need to join high-level control of audio timbre with the organization of m...
Databases of audio can form the basis for new algorithmic critic systems, applying techniques from t...
In this study, work is presented on a hybrid acoustic / electric violin. The instrument has embedded...
This thesis explores double bass feedback systems, with a focus on the FAAB (feedback-actuated augme...
This thesis examines contemporary approaches to live computer music, and the impact they have on th...
Polyphonic music (music consisting of several instruments playing in parallel) is an intuitive way o...
The rise of the academy as patron of art music, the philosophical underpinnings of futurists like ...
cote interne IRCAM: Einbond11aNone / NoneNational audienceHow can sound descriptors arising from stu...