Add to ORKGThe relationship between art and money is, at times, a tale of domination and censorship so subtle that even those producing the art works and the audience are frequently unaware that they are being influence
This article discusses the relationship between artistic and commercial value of art. The author sho...
Despite the expansion of the contemporary art world and art market and the increased attention this ...
In 2010, the National Portrait Gallery removed David Wojnarowicz’s video A Fire in My Belly (1987) f...
In no other area of human activity is the relationship between production and money as perverse as i...
Recent decades of financialisation have seen a significant growth in art that mobilises various form...
Visual Studies The author suspends a 700-lb steel money safe from the ceiling, using ropes con-struc...
The aim of this paper is to contribute to an understanding of how the procurement resources influenc...
The “hostile worlds” view argues that money corrupts the meaning of art, but some suggest this is a ...
Art Cash considers the relationship between currency and fine art prints, focusing on the way that a...
This research paper explores the impact which the economic conditions of capitalism have had and con...
The commercial methods and transactional processes of the art market contravene in almost every way ...
In this paper, we examine the apparent conflict between artistic and commercial objectives within cr...
The editorial premise of this special issue is that the adage ‘art and money do not mix’ is now whol...
This paper departs from the fact that capitalism has reached the stage of complete domination and he...
Recent controversies over politically sensitive or allegedly pornographic museum exhibitions have ca...
This article discusses the relationship between artistic and commercial value of art. The author sho...
Despite the expansion of the contemporary art world and art market and the increased attention this ...
In 2010, the National Portrait Gallery removed David Wojnarowicz’s video A Fire in My Belly (1987) f...
In no other area of human activity is the relationship between production and money as perverse as i...
Recent decades of financialisation have seen a significant growth in art that mobilises various form...
Visual Studies The author suspends a 700-lb steel money safe from the ceiling, using ropes con-struc...
The aim of this paper is to contribute to an understanding of how the procurement resources influenc...
The “hostile worlds” view argues that money corrupts the meaning of art, but some suggest this is a ...
Art Cash considers the relationship between currency and fine art prints, focusing on the way that a...
This research paper explores the impact which the economic conditions of capitalism have had and con...
The commercial methods and transactional processes of the art market contravene in almost every way ...
In this paper, we examine the apparent conflict between artistic and commercial objectives within cr...
The editorial premise of this special issue is that the adage ‘art and money do not mix’ is now whol...
This paper departs from the fact that capitalism has reached the stage of complete domination and he...
Recent controversies over politically sensitive or allegedly pornographic museum exhibitions have ca...
This article discusses the relationship between artistic and commercial value of art. The author sho...
Despite the expansion of the contemporary art world and art market and the increased attention this ...
In 2010, the National Portrait Gallery removed David Wojnarowicz’s video A Fire in My Belly (1987) f...