Add to ORKGA paper for Music Literature and History 244: Music of the Romantic and Modern Eras, Spring 2008. Sen explains how the sound of the tenor we know today is the result of gradual change in opera composition--the tenor came to replace the castrato only after vocalists collaborated with composers.Blair School of MusicMusic Literature and Histor
This dissertation presents evidence for the influence which tenor Enrico Caruso had on the Italian ...
The paper discusses the guidelines on which current critical editions of operatic music are based, w...
The term bel canto refers to a style of singing made popular in the late 18th and early 19th centuri...
This article looks at aspects of the tenor voice from the last quarter of the 18th century to the se...
W. A. Mozart’s opera and concert arias for tenor are among the first music written specifically for ...
W. A. Mozart’s opera and concert arias for tenor are among the first music written specifically for ...
In the decades spanning the turn of the twentieth century Italian opera singing underwent a profound...
This work deals with the activities of the singers involved in three destinations - Italy, France an...
The idea that classical singers should join the notes of the vocal line by maintaining a consistent ...
This paper examines the American career of the Italian tenor Enrico Caruso (1873-1921). It is argued...
Mainstream views on the evolution of opera composition towards its present form are fraught with red...
The article is devoted to the development and formation of the Italian vocal schools in the era of t...
This project argues that changes to operatic vocal writing in the late nineteenth century prompted A...
Castrato singers appeared in the Western World during the 16th century. They were needed by the Chur...
Any discussion about the voices of singers active before the invention of the phonographic recording...
This dissertation presents evidence for the influence which tenor Enrico Caruso had on the Italian ...
The paper discusses the guidelines on which current critical editions of operatic music are based, w...
The term bel canto refers to a style of singing made popular in the late 18th and early 19th centuri...
This article looks at aspects of the tenor voice from the last quarter of the 18th century to the se...
W. A. Mozart’s opera and concert arias for tenor are among the first music written specifically for ...
W. A. Mozart’s opera and concert arias for tenor are among the first music written specifically for ...
In the decades spanning the turn of the twentieth century Italian opera singing underwent a profound...
This work deals with the activities of the singers involved in three destinations - Italy, France an...
The idea that classical singers should join the notes of the vocal line by maintaining a consistent ...
This paper examines the American career of the Italian tenor Enrico Caruso (1873-1921). It is argued...
Mainstream views on the evolution of opera composition towards its present form are fraught with red...
The article is devoted to the development and formation of the Italian vocal schools in the era of t...
This project argues that changes to operatic vocal writing in the late nineteenth century prompted A...
Castrato singers appeared in the Western World during the 16th century. They were needed by the Chur...
Any discussion about the voices of singers active before the invention of the phonographic recording...
This dissertation presents evidence for the influence which tenor Enrico Caruso had on the Italian ...
The paper discusses the guidelines on which current critical editions of operatic music are based, w...
The term bel canto refers to a style of singing made popular in the late 18th and early 19th centuri...