A paper for the Music of the Baroque and Classic Eras class in the Music Literature and History program of Blair School of Music, Fall 2008. Capozzoli examines the interactions between Mozart and Salieri and explains how the myth that Salieri killed Mozart came into being and why it persists in public memory.Blair School of MusicMusic Literature and Histor
The increasing scholarly attention paid to musical biography across the past few decades has brought...
The life and works of Mozart are central to a due understanding of Liszt’s development as pianist, c...
In 1822, Schubert dedicated his Variations on a French Theme for Piano Four-Hands, Op. 10 (D624) to ...
Peter Shaffer\u27s Amadeus is a reimagining of the lives of Antonio Salieri and Wolfgang AmadeusMoza...
This paper compares political engagement of different incarnations of The Marriage of Fiagro: both t...
In Foundations of Music History, Carl Dahlhaus drew attention to the uneasy relationship between his...
In the introduction I describe my reason to write about an.italian music composer,Antonio Salieri. I...
1791) was a mystery from the very first day and the subject of wildest speculations and adven-turous...
The story that Mozart was commissioned to write three piano quartets for publication in Franz Anton ...
Madison Marsala, MUS303: Music History 2Faculty Mentor(s): Professor Carolyn Guzski, Music In his w...
ii W.A. Mozart was a masterful creator of music and drama as well as a keen observer of human relati...
thesisJohann Christian Bah settled in London in 1762 as an Italian-trained musician. He became quit...
What are the foundations of Mozart scholarship? The "facts" -there are many of them, and we are alwa...
This paper explores the role of Classical music in society during the 18th Century and analyzes the ...
The paper focuses on the relationship between the Viennese music collector Franz Sales Kandler (1792...
The increasing scholarly attention paid to musical biography across the past few decades has brought...
The life and works of Mozart are central to a due understanding of Liszt’s development as pianist, c...
In 1822, Schubert dedicated his Variations on a French Theme for Piano Four-Hands, Op. 10 (D624) to ...
Peter Shaffer\u27s Amadeus is a reimagining of the lives of Antonio Salieri and Wolfgang AmadeusMoza...
This paper compares political engagement of different incarnations of The Marriage of Fiagro: both t...
In Foundations of Music History, Carl Dahlhaus drew attention to the uneasy relationship between his...
In the introduction I describe my reason to write about an.italian music composer,Antonio Salieri. I...
1791) was a mystery from the very first day and the subject of wildest speculations and adven-turous...
The story that Mozart was commissioned to write three piano quartets for publication in Franz Anton ...
Madison Marsala, MUS303: Music History 2Faculty Mentor(s): Professor Carolyn Guzski, Music In his w...
ii W.A. Mozart was a masterful creator of music and drama as well as a keen observer of human relati...
thesisJohann Christian Bah settled in London in 1762 as an Italian-trained musician. He became quit...
What are the foundations of Mozart scholarship? The "facts" -there are many of them, and we are alwa...
This paper explores the role of Classical music in society during the 18th Century and analyzes the ...
The paper focuses on the relationship between the Viennese music collector Franz Sales Kandler (1792...
The increasing scholarly attention paid to musical biography across the past few decades has brought...
The life and works of Mozart are central to a due understanding of Liszt’s development as pianist, c...
In 1822, Schubert dedicated his Variations on a French Theme for Piano Four-Hands, Op. 10 (D624) to ...