For Taylor drawing is a fundamental discipline for creative development, used both as a means to encounter and examine the world, and as a departure point for new understanding and the identification of content. For more than three decades she has been making charcoal drawings that explore the relationship of the female subject (as artist and model) and the defining acts of scrutiny, gaze and feeling. This interrogation of gesture and expression has led to a sequence of drawings that question not just the appearance, but the emotional or haptic sensation of being inside a skin or body that can only be seen or recognised by the self with the aid of a mirror. The ink drawings explore more expansive themes with reference to historical preceden...