Add to ORKGThis article analyses the vedute of Rome by Piranesi as a synthesis of the theatrical city view and the landscape format, introducing infinite distance in the representation of the city, and thereby picturing Rome as a 'world'. In the second part the function of the staffage, and in particular the presence of Piranesi's insectlike scare-men is investigated, and explained as a means to prevent spontaneous identification with the magnificence of ancient Rome
Piranesi was an extraordinarily talented artist who came to be considered the best known engraver an...
The interest of Gianbattista Piranesi (1720 -1778) never wanes. Indeed, it is increasing, as is test...
Several images of Rome dot manuscripts and prints of the Comedy at the textual places where Dante me...
This article analyses the vedute of Rome by Piranesi as a synthesis of the theatrical city view and ...
The large size and faithful edition of the complete Views of Rome (137 etchings by G.B. Piranesi an ...
In mid-18th century Giovanni Battista Piranesi’s etchings systematically document the old and new mo...
Giovanni Battista Piranesi\u27s architectural representations have made significant contributions to...
Abstract. This paper discuss the making of, The Piranesi Project, a Stratigraphy of Views of Rome, a...
<p>In mid-18th century Giovanni Battista Piranesi’s etchings systematically document the old and new...
Giovanni Battista Piranesi prints, June 22 - September 1 2007https://digitalcommons.lasalle.edu/exhi...
In mid-18th century Giovanni Battista Piranesi's etchings systematically document the old and new mo...
Over the course of the last academic year, while on a Rome Prize Fellowship at the American Academy ...
Piranesi was fascinated by the remnants of antiquity still visible in his native Italy. His detailed...
Since their birth, the views have not been just landscapes to contemplate. Vedu-tism solicited imagi...
This article represents an initial exploration of how allegorical figures were made and viewed in Cl...
Piranesi was an extraordinarily talented artist who came to be considered the best known engraver an...
The interest of Gianbattista Piranesi (1720 -1778) never wanes. Indeed, it is increasing, as is test...
Several images of Rome dot manuscripts and prints of the Comedy at the textual places where Dante me...
This article analyses the vedute of Rome by Piranesi as a synthesis of the theatrical city view and ...
The large size and faithful edition of the complete Views of Rome (137 etchings by G.B. Piranesi an ...
In mid-18th century Giovanni Battista Piranesi’s etchings systematically document the old and new mo...
Giovanni Battista Piranesi\u27s architectural representations have made significant contributions to...
Abstract. This paper discuss the making of, The Piranesi Project, a Stratigraphy of Views of Rome, a...
<p>In mid-18th century Giovanni Battista Piranesi’s etchings systematically document the old and new...
Giovanni Battista Piranesi prints, June 22 - September 1 2007https://digitalcommons.lasalle.edu/exhi...
In mid-18th century Giovanni Battista Piranesi's etchings systematically document the old and new mo...
Over the course of the last academic year, while on a Rome Prize Fellowship at the American Academy ...
Piranesi was fascinated by the remnants of antiquity still visible in his native Italy. His detailed...
Since their birth, the views have not been just landscapes to contemplate. Vedu-tism solicited imagi...
This article represents an initial exploration of how allegorical figures were made and viewed in Cl...
Piranesi was an extraordinarily talented artist who came to be considered the best known engraver an...
The interest of Gianbattista Piranesi (1720 -1778) never wanes. Indeed, it is increasing, as is test...
Several images of Rome dot manuscripts and prints of the Comedy at the textual places where Dante me...