This article examines the role of Italian women artists in the setting up of video art initiatives in Italy. It begins by comparing it to the situation in the UK and the experience of Elaine Shemilt (see Felicity Sparrow's interview in n.paradoxa, vol.34). The discussion highlights the work of artists, Anna Valeria Borsari; Ketty La Rocca; Maud Ceriotti, Federica Marangoni and Lola Bonora, founder of Centro Video Arte in 1973. The article is based on first-hand interviews with key players and original archival research. It comes out of Leuzzi's work on two AHRC funded projects, REWINDItalia and Early Women's Video Art (EWVA)
This paper focused on two recent research projects – both based at DJCAD, University of Dundee – tha...
The early international history of video art remains contested and most narratives focus upon a frag...
Italy was a vibrant centre of Video Art production and exhibition throughout the 1970s and 1980s. Th...
This article examines the role of Italian women artists in the setting up of video art initiatives i...
This article examines the role of Italian women artists in the setting up of video art initiatives i...
This article examines the role of Italian women artists in the setting up of video art initiatives i...
The early international history of video art remains contested and most narratives focus upon a frag...
‘European Women’s Video Art’ is a multi-component research project, led by Elaine Shemilt, which inv...
This essay is an initial study that examines selected contemporary video artworks addressing identit...
Italy was a vibrant centre of video art production and exhibition throughout the 1970s and 1980s. Th...
Published in association with AHRC funded research projects REWIND–Italia Artists Video in Italy in ...
This article presents the book "REWIND Italia: early video art in Italy", edited by Laura Leuzzi and...
http://www.ewva.ac.ukEWVA European Women’s Video Art in the 70s and 80s aims to recover and reassess...
The EWVA book is the main output of the Arts and Humanities Research Council funded research project...
EWVA - European Women’s Video Art in the 70s and 80s is an AHRC funded research project based at Dun...
This paper focused on two recent research projects – both based at DJCAD, University of Dundee – tha...
The early international history of video art remains contested and most narratives focus upon a frag...
Italy was a vibrant centre of Video Art production and exhibition throughout the 1970s and 1980s. Th...
This article examines the role of Italian women artists in the setting up of video art initiatives i...
This article examines the role of Italian women artists in the setting up of video art initiatives i...
This article examines the role of Italian women artists in the setting up of video art initiatives i...
The early international history of video art remains contested and most narratives focus upon a frag...
‘European Women’s Video Art’ is a multi-component research project, led by Elaine Shemilt, which inv...
This essay is an initial study that examines selected contemporary video artworks addressing identit...
Italy was a vibrant centre of video art production and exhibition throughout the 1970s and 1980s. Th...
Published in association with AHRC funded research projects REWIND–Italia Artists Video in Italy in ...
This article presents the book "REWIND Italia: early video art in Italy", edited by Laura Leuzzi and...
http://www.ewva.ac.ukEWVA European Women’s Video Art in the 70s and 80s aims to recover and reassess...
The EWVA book is the main output of the Arts and Humanities Research Council funded research project...
EWVA - European Women’s Video Art in the 70s and 80s is an AHRC funded research project based at Dun...
This paper focused on two recent research projects – both based at DJCAD, University of Dundee – tha...
The early international history of video art remains contested and most narratives focus upon a frag...
Italy was a vibrant centre of Video Art production and exhibition throughout the 1970s and 1980s. Th...