An empirical study on the perceived semantic quality of musical content and its relationship with perceived structural audio features is presented. In a first study, subjects had to judge a variety of musical excerpts using adjectives describing different emotive/affective/expressive qualities of music. Factor analysis revealed three dimensions, related to valence, activity and interest. In a second study, semantic judgements were then compared with automated and manual structural descriptions of the musical audio signal. Applications of the results in domains of audio-mining, interactive multimedia and brain research are straightforward
Abstract: In this research, we analyze how the sound and music relate to humans from the aspect of K...
MUSIC INFORMATION RETRIEVAL (MIR) IS A fast-growing research area. One of its aims is to extract mus...
In the Expressive Information Processing field, some studies investigated the relation between music...
An empirical study on the perceived semantic quality of musical content and its relationship with pe...
Abstract. During the creative process music composers draw on mechanisms in order to convey emotion ...
This study explores whether musical affect attribution can be predicted by a linear combination of a...
A dataset of audio clips was prepared and audio quality assessed by subjective testing. Encoded as d...
This study investigates the relationship between acoustic patterns in contemporary electroacoustic c...
International audienceThis paper focuses on emotion recognition and under-standing in Contemporary W...
The rapid expansion of social media in music has provided the field with impressive datasets that of...
The ability of naive listener-judges to recognize the affective state of a speaker on the basis of n...
A study on the verbal attributes of musical timbre was con-ducted in an effort to identify the most ...
We studied the emotional responses by musicians to familiar classical music excerpts both when the m...
During a music performance, the musician adds expressiveness to the musical message by changing timi...
Using a three-dimensional model of affect, we compared the affective consequences of manipulating in...
Abstract: In this research, we analyze how the sound and music relate to humans from the aspect of K...
MUSIC INFORMATION RETRIEVAL (MIR) IS A fast-growing research area. One of its aims is to extract mus...
In the Expressive Information Processing field, some studies investigated the relation between music...
An empirical study on the perceived semantic quality of musical content and its relationship with pe...
Abstract. During the creative process music composers draw on mechanisms in order to convey emotion ...
This study explores whether musical affect attribution can be predicted by a linear combination of a...
A dataset of audio clips was prepared and audio quality assessed by subjective testing. Encoded as d...
This study investigates the relationship between acoustic patterns in contemporary electroacoustic c...
International audienceThis paper focuses on emotion recognition and under-standing in Contemporary W...
The rapid expansion of social media in music has provided the field with impressive datasets that of...
The ability of naive listener-judges to recognize the affective state of a speaker on the basis of n...
A study on the verbal attributes of musical timbre was con-ducted in an effort to identify the most ...
We studied the emotional responses by musicians to familiar classical music excerpts both when the m...
During a music performance, the musician adds expressiveness to the musical message by changing timi...
Using a three-dimensional model of affect, we compared the affective consequences of manipulating in...
Abstract: In this research, we analyze how the sound and music relate to humans from the aspect of K...
MUSIC INFORMATION RETRIEVAL (MIR) IS A fast-growing research area. One of its aims is to extract mus...
In the Expressive Information Processing field, some studies investigated the relation between music...