In this paper we describe scientific investigations on the artwork ‘Crucified and deposed Christ’ from the Diocesan Museum of Palermo. Multidisciplinary studies were carried out to obtain interesting information about constitutive materials and executive techniques of XVIII century Sicilian papier mâsché, as well as about the sculpture state of conservation and the recognition of the previous treatments.Examination of the polychrome sculpture was both non-invasive (IRR, IRC, UV fluorescence, EDXRF spectroscopy X-Radiography) and micro invasive (optical microscopy, scanning electron microscopy with energy dispersive X-ray spectroscopy SEM-EDX).SEM-EDX results showed the use of materials like organic membrane and vegetal fibres an...
The surface coating present on a marble Piety dating to the Renaissance period and stored at the Cas...
A stony sculptural composition of the Nativity Scene is preserved in Altamura’s Cathedral (Apulia, I...
During the last restoration (2008–2011) of the polychrome terracotta altarpiece called Coronation of...
In this study the Madonna del Soccorsoo della Mazza wooden sculpture has been analysed by an interd...
In this study the Madonna del Soccorsoo della Mazza wooden sculpture has been analysed by an interdi...
The object of this paper is the diagnostic campaign performed on the polychrome wooden statue, rever...
The object of this paper is the diagnostic campaign performed on the polychrome wooden statue, rever...
The Ritratto muliebre, referring to Venus, is a panel painting, oil on wood, attributed to unknown a...
Three polychrome wooden sculptures, made between the last quarter of the 17th century and the first ...
Religious marble sculptures and architectural elements are often characterised by surface layers use...
The Ritratto muliebre, referring to Venus, is a panel painting, oil on wood, attributed to unknown a...
Two 19th century Russian icons, from the Museo Diocesano of Palermo, were analysed by UV photography...
We report on the restoration of a XVII century’s predella reliquary, which is a part of a larger set...
The aim of this research was to assess the techniques and the materials used to realize the canvas p...
The surface coating present on a marble Piety dating to the Renaissance period and stored at the Cas...
A stony sculptural composition of the Nativity Scene is preserved in Altamura’s Cathedral (Apulia, I...
During the last restoration (2008–2011) of the polychrome terracotta altarpiece called Coronation of...
In this study the Madonna del Soccorsoo della Mazza wooden sculpture has been analysed by an interd...
In this study the Madonna del Soccorsoo della Mazza wooden sculpture has been analysed by an interdi...
The object of this paper is the diagnostic campaign performed on the polychrome wooden statue, rever...
The object of this paper is the diagnostic campaign performed on the polychrome wooden statue, rever...
The Ritratto muliebre, referring to Venus, is a panel painting, oil on wood, attributed to unknown a...
Three polychrome wooden sculptures, made between the last quarter of the 17th century and the first ...
Religious marble sculptures and architectural elements are often characterised by surface layers use...
The Ritratto muliebre, referring to Venus, is a panel painting, oil on wood, attributed to unknown a...
Two 19th century Russian icons, from the Museo Diocesano of Palermo, were analysed by UV photography...
We report on the restoration of a XVII century’s predella reliquary, which is a part of a larger set...
The aim of this research was to assess the techniques and the materials used to realize the canvas p...
The surface coating present on a marble Piety dating to the Renaissance period and stored at the Cas...
A stony sculptural composition of the Nativity Scene is preserved in Altamura’s Cathedral (Apulia, I...
During the last restoration (2008–2011) of the polychrome terracotta altarpiece called Coronation of...