peer reviewedThis paper consists in the proposition of a systematic extension of the domain of editing. On one hand, it puts forward some leads to link the local level (the film edited shot by shot) together with the global level (the film conceived as a whole). On the other hand, it presents the latter as a huge formal problem, which cannot be managed without studying editing with other dimensions: from frames to narration, until spectator’s whole interpretation activity demanded by the film. It is an analytic and synthetic approach, based on articulation and on comparison, in a semiotic and in a historic way – inspired by a certain formalist epistemology that put its mark on Art History. Finally, if editing is not a simple technique but a...
Cinema is full of empty intentions, embedded in the cinematic technology and just beyond the reach o...
The essayistic device in film often brings together two temporalities of film creation: the present ...
International audienceThis paper introduces Film Editing Patterns (FEP), a language to formalize fil...
This thesis looks at a variety of discourses about film editing in order to explore the possibility,...
This article offers an account of the advent of digital editing, or digital montage. While reference...
In this essay we consider some of the effects of digital film editing technology on editing. Through...
The article deals with the so-called pan-aesthetical ambition of montage (editing) according to whic...
The relationship between the genre of a movie and it’s edit can be in the two ways: the movie genre ...
The paper deals with the basic elements of film art as well as the evolution of the film medium. The...
The editing suite is one of the hidden spaces of film! a place where complex forms of embodied colla...
With digital compositing and digital special effects, the traditional edits of cut, dissolve and wip...
Colin G. Crisp. The Rediscovery of editing in the French Cinema, 1930-1945. This article on editing ...
Editio denotes 1) the action of publishing, and 2) the result of that action, a published book . In ...
How was editing imagined during the transitional period, as cinema became an institution? How closel...
The history of film editing can be roughly divided into three major steps: From the single shot of t...
Cinema is full of empty intentions, embedded in the cinematic technology and just beyond the reach o...
The essayistic device in film often brings together two temporalities of film creation: the present ...
International audienceThis paper introduces Film Editing Patterns (FEP), a language to formalize fil...
This thesis looks at a variety of discourses about film editing in order to explore the possibility,...
This article offers an account of the advent of digital editing, or digital montage. While reference...
In this essay we consider some of the effects of digital film editing technology on editing. Through...
The article deals with the so-called pan-aesthetical ambition of montage (editing) according to whic...
The relationship between the genre of a movie and it’s edit can be in the two ways: the movie genre ...
The paper deals with the basic elements of film art as well as the evolution of the film medium. The...
The editing suite is one of the hidden spaces of film! a place where complex forms of embodied colla...
With digital compositing and digital special effects, the traditional edits of cut, dissolve and wip...
Colin G. Crisp. The Rediscovery of editing in the French Cinema, 1930-1945. This article on editing ...
Editio denotes 1) the action of publishing, and 2) the result of that action, a published book . In ...
How was editing imagined during the transitional period, as cinema became an institution? How closel...
The history of film editing can be roughly divided into three major steps: From the single shot of t...
Cinema is full of empty intentions, embedded in the cinematic technology and just beyond the reach o...
The essayistic device in film often brings together two temporalities of film creation: the present ...
International audienceThis paper introduces Film Editing Patterns (FEP), a language to formalize fil...