Add to ORKGThe appreciation or historical study of visual art depends crucially on assumptions or claims that g...
Art historical research shows that artists, especially since the 1960s rise in museum and art galler...
My dissertation discusses the relationship of art to the category of the aesthetic. Conceiving of ar...
Art viewers and critics talk as if visual artworks say things, express messages, or have meanings. F...
In this Editor’s column I discuss certain fruits and limits of applying the notion of ‘performance’ ...
Works of art can be described as narratives in shorthand where tangled mass of meaning and relations...
Certain art theorists think of what artists do as artistic research. But research is fact- and theor...
In The representation of the audiences after 1960, the question is asked whether we can consider the...
Arising from \u27The Public and the Arts\u27 study by the Arts Council of Ireland in 2006, a series ...
Much contemporary art seems morally out of control. Yet, philosophers seem to have trouble finding t...
Interested in art, we tend to be interested in works of art. We seem to encounter works of art all t...
How does an audience receive a work of art? Does the experience only affect the viewer or does it ha...
It has always been a matter of curiosity what kind of information art, which is far from ordinary an...
Whatever else they are, works of art are intentional human products. Our responses to such works are...
With its first public appearance, Pablo Picasso's Les Demoiselles d'Avignon caused a public uproar. ...
The appreciation or historical study of visual art depends crucially on assumptions or claims that g...
Art historical research shows that artists, especially since the 1960s rise in museum and art galler...
My dissertation discusses the relationship of art to the category of the aesthetic. Conceiving of ar...
Art viewers and critics talk as if visual artworks say things, express messages, or have meanings. F...
In this Editor’s column I discuss certain fruits and limits of applying the notion of ‘performance’ ...
Works of art can be described as narratives in shorthand where tangled mass of meaning and relations...
Certain art theorists think of what artists do as artistic research. But research is fact- and theor...
In The representation of the audiences after 1960, the question is asked whether we can consider the...
Arising from \u27The Public and the Arts\u27 study by the Arts Council of Ireland in 2006, a series ...
Much contemporary art seems morally out of control. Yet, philosophers seem to have trouble finding t...
Interested in art, we tend to be interested in works of art. We seem to encounter works of art all t...
How does an audience receive a work of art? Does the experience only affect the viewer or does it ha...
It has always been a matter of curiosity what kind of information art, which is far from ordinary an...
Whatever else they are, works of art are intentional human products. Our responses to such works are...
With its first public appearance, Pablo Picasso's Les Demoiselles d'Avignon caused a public uproar. ...
The appreciation or historical study of visual art depends crucially on assumptions or claims that g...
Art historical research shows that artists, especially since the 1960s rise in museum and art galler...
My dissertation discusses the relationship of art to the category of the aesthetic. Conceiving of ar...