Add to ORKGIn this dissertation the cinematography of American director Stanley Kubrick (1928-1999) is analyzed in the light of French psychoanalyst Jacques Lacans theory on fundamental fantasy, jouissance and gaze
Though Beckett’s name is closely associated with fiction and drama in the world of contemporary art ...
This doctoral dissertation aims at questioning the notion of subjectivity in the second half of Stan...
This analysis demonstrates how the film produces an effect on the thinking of the spectator, forcing...
In this dissertation the cinematography of American director Stanley Kubrick (1928-1999) is analyzed...
This dissertation seeks to offer a revision of the Lacanian film theory, which was prevalent during ...
This paper argues that Stanley Kubrick’s feature film Eyes Wide Shut illustrates how the Lacanian th...
This article analyzes Stanley Kubrick’s Full Metal Jacket (1987) in the light of Lacan's concepts of...
This paper is part of a wider project that brings together psychoanalysis and film by focusing on th...
This paper focuses on the subjective implication of Stanley Kubrick in the making of Full Metal Jack...
This article aims to examine some aspects of the cinematic work of Stanley Kubrick from the embodied...
Drawing on a wide range of critical and theoretical material, this thesis explores the representatio...
This paper uses Lacanian theory to argue that, in Stanley Kubrick’s A Clockwork Orange, the staging ...
Cette thèse ambitionne d’interroger la notion de subjectivité dans la seconde moitié de la filmograp...
Todd McGowan’s Psychoanalytic Film Theory and The Rules of the Game offers a non-technical introduct...
À travers l’analyse et l’interpretation de films du panorama italien et international des années cin...
Though Beckett’s name is closely associated with fiction and drama in the world of contemporary art ...
This doctoral dissertation aims at questioning the notion of subjectivity in the second half of Stan...
This analysis demonstrates how the film produces an effect on the thinking of the spectator, forcing...
In this dissertation the cinematography of American director Stanley Kubrick (1928-1999) is analyzed...
This dissertation seeks to offer a revision of the Lacanian film theory, which was prevalent during ...
This paper argues that Stanley Kubrick’s feature film Eyes Wide Shut illustrates how the Lacanian th...
This article analyzes Stanley Kubrick’s Full Metal Jacket (1987) in the light of Lacan's concepts of...
This paper is part of a wider project that brings together psychoanalysis and film by focusing on th...
This paper focuses on the subjective implication of Stanley Kubrick in the making of Full Metal Jack...
This article aims to examine some aspects of the cinematic work of Stanley Kubrick from the embodied...
Drawing on a wide range of critical and theoretical material, this thesis explores the representatio...
This paper uses Lacanian theory to argue that, in Stanley Kubrick’s A Clockwork Orange, the staging ...
Cette thèse ambitionne d’interroger la notion de subjectivité dans la seconde moitié de la filmograp...
Todd McGowan’s Psychoanalytic Film Theory and The Rules of the Game offers a non-technical introduct...
À travers l’analyse et l’interpretation de films du panorama italien et international des années cin...
Though Beckett’s name is closely associated with fiction and drama in the world of contemporary art ...
This doctoral dissertation aims at questioning the notion of subjectivity in the second half of Stan...
This analysis demonstrates how the film produces an effect on the thinking of the spectator, forcing...