Applied to literary texts, the notion of performance is often reserved for forms of oral presentation. This article argues that such a characterization is anachronistic if projected onto Dutch literary texts from the fifteenth and sixteenth centuries. It proposes that performance manifests itself not in orality and the physical presence of a performer but in the interaction of a text with a specific place, moment, and audience. This is illustrated through several types of performance in the Testament Rhetoricael (1562), an important collection of lyrical texts by the Flemish poet and rhetorician Eduard De Dene
The rich tradition of tableaux vivants in the Joyous Entries in the early modern Southern Netherland...
This article aims to demonstrate the didactic use of masquerardes in the theatre plays of the early ...
In written literary traditions the distinction between text and performance seems self-evident. The ...
Applied to literary texts, the notion of performance is often reserved for forms of oral presentatio...
Performance poetry poses a problem to traditionally objective and ‘text based’ literary studies: it ...
This essay investigates why the Testament Rhetoricael (Bruges, 1562), a large collection of poems an...
The relation between performance poetry and poetry criticism, as the latter is generally practiced i...
Within the relatively recent interest for the theatrical aspects of joyous Entries in the Netherland...
The Netherlandish rhetoricians of the sixteenth century have, in the course of the last decades, she...
Over the past decades, the poetry performance has developed into an increasingly popular, diverse, a...
Since the 1980’s there has been an at times heated debate on the intended function and the intended ...
In this article, we argue that variation in the representation of speech served as a powerful instru...
Thesis (MDram)--Stellenbosch University, 2012ENGLISH ABSTRACT: Poetry performance as a universal ph...
Reflections on performance have been part of Western musical theory ever since the composer emerged ...
'The poetic accent. Three literary genres in seventeenth-century Dutch pamphlets' focuses on the way...
The rich tradition of tableaux vivants in the Joyous Entries in the early modern Southern Netherland...
This article aims to demonstrate the didactic use of masquerardes in the theatre plays of the early ...
In written literary traditions the distinction between text and performance seems self-evident. The ...
Applied to literary texts, the notion of performance is often reserved for forms of oral presentatio...
Performance poetry poses a problem to traditionally objective and ‘text based’ literary studies: it ...
This essay investigates why the Testament Rhetoricael (Bruges, 1562), a large collection of poems an...
The relation between performance poetry and poetry criticism, as the latter is generally practiced i...
Within the relatively recent interest for the theatrical aspects of joyous Entries in the Netherland...
The Netherlandish rhetoricians of the sixteenth century have, in the course of the last decades, she...
Over the past decades, the poetry performance has developed into an increasingly popular, diverse, a...
Since the 1980’s there has been an at times heated debate on the intended function and the intended ...
In this article, we argue that variation in the representation of speech served as a powerful instru...
Thesis (MDram)--Stellenbosch University, 2012ENGLISH ABSTRACT: Poetry performance as a universal ph...
Reflections on performance have been part of Western musical theory ever since the composer emerged ...
'The poetic accent. Three literary genres in seventeenth-century Dutch pamphlets' focuses on the way...
The rich tradition of tableaux vivants in the Joyous Entries in the early modern Southern Netherland...
This article aims to demonstrate the didactic use of masquerardes in the theatre plays of the early ...
In written literary traditions the distinction between text and performance seems self-evident. The ...