Throughout the long nineteenth century Belgium was home to a remarkably large number of private art collections. Many of those were visited by an interested local and international public and were popular topics in the contemporary press. Especially after the creation of the Belgian nation state in 1830, private collectors increasingly directed their interest to art works and artefacts of national historical value. Moreover, private collectors not only acted as patrons and sponsors, but they were also members of art societies and organizing committees of salons and exhibitions to which they contributed art works from their own collections. However, no scientific attention has so far been paid to the question how these collectors and their c...
In the beginning of the nineteenth century, the Southern Netherlands saw the rise of a renewed inter...
Abstract: During the long nineteenth century, the Royal Academy of Fine Arts of Antwerp \u2013 just\...
© 1976 Dr. Gerard VaughanMy examination of the holdings of private art collections in Victoria befor...
Throughout the long nineteenth century Belgium was home to a remarkably large number of private art ...
In the first half of the nineteenth century, Belgium was repeatedly praised as a country of collecto...
In nineteenth-century Belgium, private collections were visited by an interested local and internati...
As now, Belgium was home to a remarkably large number of private art and antiques collections throug...
During the long nineteenth century Belgium was home to a remarkably large number of private art and ...
Florent van Ertborn (1784-1840) and Fritz Mayer van den Bergh (1858-1901) were Antwerp’s major colle...
Paintings, drawings, prints, maps, jewels, gems, statuettes, medals, exotica, antiquities, dried ani...
Seemingly paradoxical, nineteenth-century society and culture are characterized by both an increased...
Aristocratic dilettantes. Female amateur artists in noble circles in Belgium between 1830 and 1914 ...
Whether 19th-century nationalism or the preference for the own people and rejection of the foreign (...
Private collectors who share their collections publicly provide a valuable service to the public. Th...
This research project aims to enlighten the social and cultural phenomenon of transnational exchange...
In the beginning of the nineteenth century, the Southern Netherlands saw the rise of a renewed inter...
Abstract: During the long nineteenth century, the Royal Academy of Fine Arts of Antwerp \u2013 just\...
© 1976 Dr. Gerard VaughanMy examination of the holdings of private art collections in Victoria befor...
Throughout the long nineteenth century Belgium was home to a remarkably large number of private art ...
In the first half of the nineteenth century, Belgium was repeatedly praised as a country of collecto...
In nineteenth-century Belgium, private collections were visited by an interested local and internati...
As now, Belgium was home to a remarkably large number of private art and antiques collections throug...
During the long nineteenth century Belgium was home to a remarkably large number of private art and ...
Florent van Ertborn (1784-1840) and Fritz Mayer van den Bergh (1858-1901) were Antwerp’s major colle...
Paintings, drawings, prints, maps, jewels, gems, statuettes, medals, exotica, antiquities, dried ani...
Seemingly paradoxical, nineteenth-century society and culture are characterized by both an increased...
Aristocratic dilettantes. Female amateur artists in noble circles in Belgium between 1830 and 1914 ...
Whether 19th-century nationalism or the preference for the own people and rejection of the foreign (...
Private collectors who share their collections publicly provide a valuable service to the public. Th...
This research project aims to enlighten the social and cultural phenomenon of transnational exchange...
In the beginning of the nineteenth century, the Southern Netherlands saw the rise of a renewed inter...
Abstract: During the long nineteenth century, the Royal Academy of Fine Arts of Antwerp \u2013 just\...
© 1976 Dr. Gerard VaughanMy examination of the holdings of private art collections in Victoria befor...