For Margaret Cavendish (1623?-1673), it was almost impossible to take an active part in the scholarly disputes of her time, even though she was one among very few women who, because of their social status, were able to write and publish scholarly, philosophical and literary texts. This article focuses on the strategies of self-staging and fictionalization that Cavendish uses in her numerous print publications (financed by herself) in order to inscribe herself in current philosophical debates and thus to simulate an active participation in scholarly dispute
This dissertation investigates the strategies women editors in eighteenth and nineteenth century pur...
En 1656, en exil à Anvers, Margaret Cavendish publie sous le titre de Natures Pictures drawn by Fanc...
The intellectual position of Margaret Cavendish, Duchess of Newcastle, has been controversial since ...
Margaret Cavendish, duchess of Newcastle (1623-1673), led a dramatic life that brought her into cont...
Ignoring the satire of learned women, a topos of classical drama at the end of the 17th century, Mag...
Margaret Cavendish was a philosopher and writer active in mid-seventeenth century England. She is im...
Wanting to be more than a body subject to time, and fearing erasure, Margaret Cavendish wrote in or...
Margaret Cavendish and Mary Trye differ in the extent to which their scientific ideas and social pos...
This collection of essays by leading scholars offers the first substantial study of Margaret Cavendi...
International audienceThat the seventeenth century saw a gradual and partial rehabilitation of curio...
Margaret Cavendish, Duchess of Newcastle, was a remarkable personality in both 17th c. literary and ...
This thesis uses the entirety of Margaret Cavendish's archive to present the first full account of h...
Margaret Cavendish was probably one of the first women to fashion herself as an author. Her scholarl...
Although Margaret Cavendish is probably better known today for her texts on natural philosophy and h...
In the debate between biopolitical and bioaesthetic approach the case of the literary – and performi...
This dissertation investigates the strategies women editors in eighteenth and nineteenth century pur...
En 1656, en exil à Anvers, Margaret Cavendish publie sous le titre de Natures Pictures drawn by Fanc...
The intellectual position of Margaret Cavendish, Duchess of Newcastle, has been controversial since ...
Margaret Cavendish, duchess of Newcastle (1623-1673), led a dramatic life that brought her into cont...
Ignoring the satire of learned women, a topos of classical drama at the end of the 17th century, Mag...
Margaret Cavendish was a philosopher and writer active in mid-seventeenth century England. She is im...
Wanting to be more than a body subject to time, and fearing erasure, Margaret Cavendish wrote in or...
Margaret Cavendish and Mary Trye differ in the extent to which their scientific ideas and social pos...
This collection of essays by leading scholars offers the first substantial study of Margaret Cavendi...
International audienceThat the seventeenth century saw a gradual and partial rehabilitation of curio...
Margaret Cavendish, Duchess of Newcastle, was a remarkable personality in both 17th c. literary and ...
This thesis uses the entirety of Margaret Cavendish's archive to present the first full account of h...
Margaret Cavendish was probably one of the first women to fashion herself as an author. Her scholarl...
Although Margaret Cavendish is probably better known today for her texts on natural philosophy and h...
In the debate between biopolitical and bioaesthetic approach the case of the literary – and performi...
This dissertation investigates the strategies women editors in eighteenth and nineteenth century pur...
En 1656, en exil à Anvers, Margaret Cavendish publie sous le titre de Natures Pictures drawn by Fanc...
The intellectual position of Margaret Cavendish, Duchess of Newcastle, has been controversial since ...