In this episode of PDXPLORES, Assistant Professor of Russian in the Department of World Languages and Literatures, Cassio de Oliveira, discusses his latest book, Writing Rogues: The Soviet Picaresque and Identity Formation, 1921-1938. In Writing Rogues, Oliveira depicts the ways picaresque literature contributed to the development of Russian identity between the October Revolution and The Stalinists Great Terror. Oliveira sheds light on the heroes and anti-heroes that existed on the margins of societal transformation, and the authors who infused their fictional and non-fictional lives with far-flung adventures, scandals and travels through the criminal underworld. Click on the Download button to access the audio transcript
This dissertation is based on the assumption that speculative literature, specifically its Soviet Ru...
Writers have always been conscious of the contribution that clothes can make to their work—as materi...
Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to th...
Plot elements such as adventure, travel to far-flung regions, the criminal underworld, and embezzlem...
My thesis deals with the changing identity of the Russian intelligentsia in the post-Soviet era, foc...
Book synopsis: Orlando Figes (1959) wrote, inter alia, a standard work on the Russian Revolution, A ...
It is a common opinion that Stalinist literature knew no explicitly popular genres, and that, conseq...
In Russian history, the twentieth century was an era of unprecedented, radical transformations - cha...
In the mid-to-late 1930s, Soviet society witnessed a major ideological about-face as party propagand...
This chapter enquires into the aesthetics of resilience developed by the younger generation of conte...
This thesis examines how Russian author Yevgeny Zamyatin (1884-1937) came to write one of the first ...
Officially in 1934, socialist realism emerged in Soviet society as the new cultural aesthetic, provi...
The article attempts to compare the “Caucasian Prisoner” as a literary and cultural phenomenon in th...
This dissertation examines the literary works of the first cohort of non-noble writers (raznochintsy...
Defence date: 15 June 2007Examining Board: Prof. Dr. Edward Arfon Rees (EUI) ; Prof. Dr. Martin Van ...
This dissertation is based on the assumption that speculative literature, specifically its Soviet Ru...
Writers have always been conscious of the contribution that clothes can make to their work—as materi...
Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to th...
Plot elements such as adventure, travel to far-flung regions, the criminal underworld, and embezzlem...
My thesis deals with the changing identity of the Russian intelligentsia in the post-Soviet era, foc...
Book synopsis: Orlando Figes (1959) wrote, inter alia, a standard work on the Russian Revolution, A ...
It is a common opinion that Stalinist literature knew no explicitly popular genres, and that, conseq...
In Russian history, the twentieth century was an era of unprecedented, radical transformations - cha...
In the mid-to-late 1930s, Soviet society witnessed a major ideological about-face as party propagand...
This chapter enquires into the aesthetics of resilience developed by the younger generation of conte...
This thesis examines how Russian author Yevgeny Zamyatin (1884-1937) came to write one of the first ...
Officially in 1934, socialist realism emerged in Soviet society as the new cultural aesthetic, provi...
The article attempts to compare the “Caucasian Prisoner” as a literary and cultural phenomenon in th...
This dissertation examines the literary works of the first cohort of non-noble writers (raznochintsy...
Defence date: 15 June 2007Examining Board: Prof. Dr. Edward Arfon Rees (EUI) ; Prof. Dr. Martin Van ...
This dissertation is based on the assumption that speculative literature, specifically its Soviet Ru...
Writers have always been conscious of the contribution that clothes can make to their work—as materi...
Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to th...