This special themed issue, published over two consecutive issues of Critical Arts (October and December 2013), aims to revisit the ethnographic turn in contemporary art by inviting papers from theorists, artists and critics, to engage critically with the ethnographic perspective in their own work or in the work of other contemporary artists. This introductory article briefly recapitulates some of the issues explored in the first themed issue and introduces the second by situating the ethnographic turn as part of a larger rhetorical turn within the human and social sciences. The main argument is that the crisis of representation can be reframed as a focus on the inevitable rhetoricity of representation, implying that one cannot avoid rhetori...
This special issue is the result of conversations around ethnography-based artistic practices and a...
The authors examine the role of the artist as an active participant in society, who counters the emp...
The author will propose that the use of performative social science is a means to deliberately inter...
This special themed issue, published over two consecutive issues of Critical Arts (October and Decem...
An increasing wave of art events has occurred since the 1990s that have displayed significant simila...
Based on the ongoing and growing body of work that can be situated at the intersection of art and et...
Critical Arts: South-North Cultural and Media Studies Call for papers for a themed issue on Revisi...
This article explores several different ways that art has been integrated into and rearticulated by ...
It has been 25 years since the Writing Culture debates started within anthropology. At the core of t...
When Hal Foster noted an ethnographic turn in the art world in the 1990s, he was eluding to broader ...
Rhetorical scholarship has relied upon textual criticism as a method of examining discourse. However...
Many of our longstanding set of methods and denotative conventions of representation are no longer i...
Qualitative research, especially ethnography, has seen a paradigm shift since 1968. This so-called '...
The ethnographic turn has been the focus of recent debate between artists and anthropologists. Cruci...
The volume examines aesthetic disruptions within the various arts in contemporary culture. It assume...
This special issue is the result of conversations around ethnography-based artistic practices and a...
The authors examine the role of the artist as an active participant in society, who counters the emp...
The author will propose that the use of performative social science is a means to deliberately inter...
This special themed issue, published over two consecutive issues of Critical Arts (October and Decem...
An increasing wave of art events has occurred since the 1990s that have displayed significant simila...
Based on the ongoing and growing body of work that can be situated at the intersection of art and et...
Critical Arts: South-North Cultural and Media Studies Call for papers for a themed issue on Revisi...
This article explores several different ways that art has been integrated into and rearticulated by ...
It has been 25 years since the Writing Culture debates started within anthropology. At the core of t...
When Hal Foster noted an ethnographic turn in the art world in the 1990s, he was eluding to broader ...
Rhetorical scholarship has relied upon textual criticism as a method of examining discourse. However...
Many of our longstanding set of methods and denotative conventions of representation are no longer i...
Qualitative research, especially ethnography, has seen a paradigm shift since 1968. This so-called '...
The ethnographic turn has been the focus of recent debate between artists and anthropologists. Cruci...
The volume examines aesthetic disruptions within the various arts in contemporary culture. It assume...
This special issue is the result of conversations around ethnography-based artistic practices and a...
The authors examine the role of the artist as an active participant in society, who counters the emp...
The author will propose that the use of performative social science is a means to deliberately inter...