The aim of this ongoing research is to suggest and try to demonstrate the importance of epistolography as a testing ground for the practice of autography and for the elaboration of theories about its value and usefulness. The purposes could be very different, as well as the contexts: in the case of a letter that contained important (for example, political) information it could be the need for secrecy or the will to confer authority to the text, even if it had not the formal elements of a document. Another possible interpretation of autography, as a token of affection, has its roots in classical antiquity (Cicero, Seneca) and seems to resurface in the middle ages and especially in these centuries, in which it is possible to trace the develop...
International audienceThe graphic fact supposes the existence of a transmitter which thinks and show...
The contribution aims to highlight the relationship between typographic ephemera and new movable typ...
This paper is dedicated to the problem of artists’ signatures in Byzantium and, more specifically, t...
The aim of this ongoing research is to suggest and try to demonstrate the importance of epistolograp...
The twelfth and thirteenth centuries are generally recognized as the Golden Age of epistolography in...
«Dear friend, I am writing this letter to you in my own hand...». Such are the declarations of medie...
This article offers the first comprehensive investigation of the history of scholarship related to e...
«Caro amico, ti scrivo questa lettera di mia mano»: così affermano gli autori medievali le cui testi...
Letter writing was widespread in the Graeco-Roman world, as indicated by the large number of survivi...
Letters were not invented in the 16th or the 17th century, however, it was during this period that t...
The aim of the paper is to search for the first time about the phenomenon of 'forgeries' among Early...
In order to delineate the cultural path of a communication society such as ours, a recovery of the t...
peer reviewedThe ‘artists’ letter’. Problems (and some solutions) for the definition of an epistolar...
Partendo dalla pubblicazione degli Atti del convegno Medieval Autograph Manuscripts, organizzato a L...
The goal of this essay is not to discuss the misuses of classical epigraphy in post-classical times ...
International audienceThe graphic fact supposes the existence of a transmitter which thinks and show...
The contribution aims to highlight the relationship between typographic ephemera and new movable typ...
This paper is dedicated to the problem of artists’ signatures in Byzantium and, more specifically, t...
The aim of this ongoing research is to suggest and try to demonstrate the importance of epistolograp...
The twelfth and thirteenth centuries are generally recognized as the Golden Age of epistolography in...
«Dear friend, I am writing this letter to you in my own hand...». Such are the declarations of medie...
This article offers the first comprehensive investigation of the history of scholarship related to e...
«Caro amico, ti scrivo questa lettera di mia mano»: così affermano gli autori medievali le cui testi...
Letter writing was widespread in the Graeco-Roman world, as indicated by the large number of survivi...
Letters were not invented in the 16th or the 17th century, however, it was during this period that t...
The aim of the paper is to search for the first time about the phenomenon of 'forgeries' among Early...
In order to delineate the cultural path of a communication society such as ours, a recovery of the t...
peer reviewedThe ‘artists’ letter’. Problems (and some solutions) for the definition of an epistolar...
Partendo dalla pubblicazione degli Atti del convegno Medieval Autograph Manuscripts, organizzato a L...
The goal of this essay is not to discuss the misuses of classical epigraphy in post-classical times ...
International audienceThe graphic fact supposes the existence of a transmitter which thinks and show...
The contribution aims to highlight the relationship between typographic ephemera and new movable typ...
This paper is dedicated to the problem of artists’ signatures in Byzantium and, more specifically, t...