Although using different strategies, Portuguese artists Mónica de Miranda and Filipa César make us think about and reflect on the ruins of the Portuguese ‘empire’ but also on the ruins—and the remains—of European colonialism and its patriarchal backbone. Their work opens the possibility of discussing aesthetics from feminist and decolonial perspectives, departing from the category of ‘ruins’ and considering the many ways through which these ruins and their multiple inflections contribute to the creation of potential affective geographies and memories
This thesis responds to the dearth of detailed studies of pioneering African modernists; and the nee...
The following article presents the first explorations of the research/creation project "Street decol...
This thesis attempts to elucidate the specificities of contemporary ruins using critical theory and ...
MEMOIRS - Children of Empires and European Postmemories (648624)Neste artigo abordo a relação entre ...
This essay investigates the ways in which contemporary artistic practices have been working towards ...
SFRH/BPD/88171/2012This essay investigates the ways in which contemporary artistic practices have be...
UIDB/00417/2020 UIDP/00417/2020In this essay, I examine the ways in which women artists – Grada Kilo...
This text expands, deepens and comments on the essay “As Práticas Artísticas Contemporâneas no Conte...
This visual essay comprises a selection of works made by artists from several generations and geogra...
MEMOIRS - Children of Empires and European Postmemories (648624)Este artigo oferece as narrativas bi...
Compreendo a obra de Margarida Cardoso como parte de um movimento global da arte portuguesa contempo...
"Decolonizing Colonial Heritage explores how different agents practice the decolonization of Europea...
“The Museum of Final Journeys” is the opening novella of Anita Desai’s collection of short fiction, ...
This visual essay is the result of a long collaboration between an anthropologist who studies the me...
Decolonizing Colonial Heritage explores how different agents practice the decolonization of European...
This thesis responds to the dearth of detailed studies of pioneering African modernists; and the nee...
The following article presents the first explorations of the research/creation project "Street decol...
This thesis attempts to elucidate the specificities of contemporary ruins using critical theory and ...
MEMOIRS - Children of Empires and European Postmemories (648624)Neste artigo abordo a relação entre ...
This essay investigates the ways in which contemporary artistic practices have been working towards ...
SFRH/BPD/88171/2012This essay investigates the ways in which contemporary artistic practices have be...
UIDB/00417/2020 UIDP/00417/2020In this essay, I examine the ways in which women artists – Grada Kilo...
This text expands, deepens and comments on the essay “As Práticas Artísticas Contemporâneas no Conte...
This visual essay comprises a selection of works made by artists from several generations and geogra...
MEMOIRS - Children of Empires and European Postmemories (648624)Este artigo oferece as narrativas bi...
Compreendo a obra de Margarida Cardoso como parte de um movimento global da arte portuguesa contempo...
"Decolonizing Colonial Heritage explores how different agents practice the decolonization of Europea...
“The Museum of Final Journeys” is the opening novella of Anita Desai’s collection of short fiction, ...
This visual essay is the result of a long collaboration between an anthropologist who studies the me...
Decolonizing Colonial Heritage explores how different agents practice the decolonization of European...
This thesis responds to the dearth of detailed studies of pioneering African modernists; and the nee...
The following article presents the first explorations of the research/creation project "Street decol...
This thesis attempts to elucidate the specificities of contemporary ruins using critical theory and ...