This commentary accompanies a portfolio of six compositions written between 2017 and 2019 with different co-makers. It discusses the core question explored in this portfolio: how the idiosyncrasies of the participants (makers, performers, audience members) are highlighted and enhanced through the experience of the pieces, as well as the importance of the participants’ blossoming in this process. The first chapter looks at the compositional and notational strategies that make this enhancement possible. The second chapter defines and explores in detail the nature of the blossoming, by thoroughly discussing each piece and type of participants.The six pieces of the portfolio are intermedia co-creations. They range from solo to ensemble works a...
This research project explores designs for musical composition that enable participation and collabo...
The purposes of this study were: 1) To assess the effects of practice strategies, metronome, meter, ...
Re-inventing Harmony in Electroacoustic Music reflects on research regarding structuring pitch-based...
This commentary accompanies a portfolio of six compositions written between 2017 and 2019 with diffe...
Flutists encounter significant physical problems in the course of their everyday playing of the inst...
The ten works presented here were composed between early 2012 and early 2015. They chart a process o...
The composer-performer is faced with important questions when composing for their principal instrume...
This dissertation identifies a technique used by Brahms to organize the compositional designs of his...
My thesis focuses on the materials and structure of the first movements of three large-scale symphon...
My dissertation is an investigation of the rhythm and fills presets on the Mellotron MKII (1964) thr...
This thesis consists of a portfolio of nine musical compositions with accompanying recordings and co...
Worth can be a difficult thing to understand and define, even under the best of circumstances. Nadia...
The musical portion of this dissertation is comprised of my two compositions: Agnosco Veteris, a fif...
Joan Tower is an award-winning American composer, best known for her orchestral and chamber music. H...
This document explores the performance practices of Jean Françaix's Concerto for Clarinet and Orches...
This research project explores designs for musical composition that enable participation and collabo...
The purposes of this study were: 1) To assess the effects of practice strategies, metronome, meter, ...
Re-inventing Harmony in Electroacoustic Music reflects on research regarding structuring pitch-based...
This commentary accompanies a portfolio of six compositions written between 2017 and 2019 with diffe...
Flutists encounter significant physical problems in the course of their everyday playing of the inst...
The ten works presented here were composed between early 2012 and early 2015. They chart a process o...
The composer-performer is faced with important questions when composing for their principal instrume...
This dissertation identifies a technique used by Brahms to organize the compositional designs of his...
My thesis focuses on the materials and structure of the first movements of three large-scale symphon...
My dissertation is an investigation of the rhythm and fills presets on the Mellotron MKII (1964) thr...
This thesis consists of a portfolio of nine musical compositions with accompanying recordings and co...
Worth can be a difficult thing to understand and define, even under the best of circumstances. Nadia...
The musical portion of this dissertation is comprised of my two compositions: Agnosco Veteris, a fif...
Joan Tower is an award-winning American composer, best known for her orchestral and chamber music. H...
This document explores the performance practices of Jean Françaix's Concerto for Clarinet and Orches...
This research project explores designs for musical composition that enable participation and collabo...
The purposes of this study were: 1) To assess the effects of practice strategies, metronome, meter, ...
Re-inventing Harmony in Electroacoustic Music reflects on research regarding structuring pitch-based...