Add to ORKGAn annotated bibliography to a proposed paper on narrative in Debussy’s Sonata for Flute, Viola and Harp
Abstract Franz Liszt (1811–1886) was extraordinary both as a virtuoso performer and an innovative co...
Many writers have commented upon formal discontinuity in Debussy's music. Robert Sherlaw Johnson com...
A student learning Debussy’s Children’s Corner must be properly trained to handle a wide range of ph...
An annotated bibliography to a proposed paper on narrative in Debussy’s Sonata for Flute, Viola and ...
Claude Debussy actively steered a course that enabled him to embrace tradition on his own terms, thu...
Every song cycle presents its audience with a narrative. Such an idea is hardly new; indeed the idea...
Many music scholars share a belief in a deep-seated connection between music and language. This beli...
Claude Debussy\u27s Prelude a l’apres-midi d’un faune [Prelude to the Afternoon of a Faun] opens wit...
This article will offer a close reading of the first movement of Debussy’s Violin Sonata (1917), and...
The Sonata for Flute, Viola, and Harp, written in 1915, is an excellent example of Claude Debussy's ...
This dissertation is in two parts. The first is an original composition, The Devil in the Belfry, wh...
In recent years the field of semiotics has increasingly been applied to musicology, with particular ...
Abstract Suite Bergamasque is one of the best-loved piano compositions by Claude Debussy. It is perf...
This essay offers a narrative reading of Debussy’s Sonata for Flute, Viola and Harp underpinned by t...
This document integrates discussions of historical and analytical findings to support a performance ...
Abstract Franz Liszt (1811–1886) was extraordinary both as a virtuoso performer and an innovative co...
Many writers have commented upon formal discontinuity in Debussy's music. Robert Sherlaw Johnson com...
A student learning Debussy’s Children’s Corner must be properly trained to handle a wide range of ph...
An annotated bibliography to a proposed paper on narrative in Debussy’s Sonata for Flute, Viola and ...
Claude Debussy actively steered a course that enabled him to embrace tradition on his own terms, thu...
Every song cycle presents its audience with a narrative. Such an idea is hardly new; indeed the idea...
Many music scholars share a belief in a deep-seated connection between music and language. This beli...
Claude Debussy\u27s Prelude a l’apres-midi d’un faune [Prelude to the Afternoon of a Faun] opens wit...
This article will offer a close reading of the first movement of Debussy’s Violin Sonata (1917), and...
The Sonata for Flute, Viola, and Harp, written in 1915, is an excellent example of Claude Debussy's ...
This dissertation is in two parts. The first is an original composition, The Devil in the Belfry, wh...
In recent years the field of semiotics has increasingly been applied to musicology, with particular ...
Abstract Suite Bergamasque is one of the best-loved piano compositions by Claude Debussy. It is perf...
This essay offers a narrative reading of Debussy’s Sonata for Flute, Viola and Harp underpinned by t...
This document integrates discussions of historical and analytical findings to support a performance ...
Abstract Franz Liszt (1811–1886) was extraordinary both as a virtuoso performer and an innovative co...
Many writers have commented upon formal discontinuity in Debussy's music. Robert Sherlaw Johnson com...
A student learning Debussy’s Children’s Corner must be properly trained to handle a wide range of ph...